Behind Sapphire are an experimental pop band from Vancouver, Canada, also known (to me) as the Sweden of North America. What is it about cold climates that breed such excellent, interesting pop music? From the Broken Social Scene of Toronto, to the many odd and wonderful bands of Montreal, Canadian cities are just rife with fantastic bands. I will include Behind Sapphire amongst them, and their circumstances are certainly impressive. Still unsigned, they have released 2 EPs, one full length, toured China (got detained in China too!), and have a production value that any signed band would love to have. “Diamonds” is the title track off their first EP, and I am billing this track as one of the more challenging songs on my 2013 mix, The Third Eye Santa. The vocals, the lyrics, and the movements that the song goes through are not for a mainstream pop radio audience. This is one of those tracks that I could see your family members skipping by, but could somehow become your secret, favorite song.
Bottom Line: For your more adventurous listener, perhaps those who enjoy the Parenthetical Girls Christmas tunes. 4.8/5
Its been a whopping week or so since I’ve written about Jens Lekman. What can I say, he’s top-5 all-time for me. However, this may be my last post about Jens for a good while, in that I don’t know of any other Jens’ Christmas tunes. Please feel free to correct me, and subsequently, make me forever in your debt.
“I Don’t Know What to Do With This Information” has only been performed live so far, with a very high quality version coming from a Maida Vale Session back in 2011. Such a sad song, not in the sentimental way that “Christmas Shoes” (BARF) is, but with a realism that brings it a little close to home, even if you haven’t specifically lived through something like that. Its called empathy and Jens brings it out well.
Bottom Line: So, so very sad. I can’t bring it over 4 because I just can’t listen to such a sad song over and over again. 3.9/5
Lets get this ball rolling again.
This is the second of my series of Jens Lekman posts. What prompted me to so quickly dive back into the Jens Lekman catalogue? Well, he updated his website yesterday, and seems to suggest that he sold only 16 records last year. While I find this absolutely baffling, I would still like you to take a moment and discover Jens’ music if you haven’t already. If you are already a fan, you may be excited to know that he is presently accepting orders directly from his home for signed CDs at a “pay what you wish” price point, as long as you also cover postage. Normally I would jump all over this, but I already have all his records, and had the pleasure of meeting him a few years ago and he graciously signed my 12″ of When I Said I Wanted to Be Your Dog.
Enough exposition about Jens and why he needs the support of those who love him, and those who have yet (but most certainly will) to love him. Back in 2011, Jens surprised us with a small present on his Smalltalk blog, a modest, 3-song zip file of holiday piano pieces he wrote in San Francisco back in 2005 – hence the title. They are all instrumental, but each quite lovely. Certainly a worthy pickup for its price: Free. Take that money you saved by not having to buy anything and buy one of his other records, for yourself or for a friend.
Bottom Line: Simple, thoughtful piano pieces from one of my absolute favorite artists. For the price, it cannot be beat. In the right context, I might even sneak it on to a mix. 5/5
Two excellent little songs from the rather mysterious Faye and The Scrooges have come across my Soundcloud searches of late. Before I inquired, very little could be found about them. Google searches led to nothing. I thought, perhaps, there was an odd Aluna George connection, since that is the only band they followed. They had 2 songs up, and by all measures, were quite obscure with two very modest play counts (as of now, 80/768). I took a moment and asked them who they heck they were, and learned that this is the product of a group of friends who get together and write/record a Christmas song with just enough time to give them to friends at the pub on Christmas eve. Judging by the production value, this group of friends knows their way around a recording – they sound great. Both songs are silly, but not too silly as to be annoying. They are simply quite clever, and extremely enjoyable. Jump on this bandwagon and add to their 4 followers, and while you’re at it, follow Pluto Rise on Facebook and Soundcloud – because two of the members of this trio have started a band, and its bound to be pretty damn good.
Bottom Line: Faye and The Scrooges have my vote. They are one year away from writing an indie classic. Perhaps set up a Bandcamp to allow FLAC downloads? 4/5
Cath ‘N’ Dad Records
Lisa Bouvier is presently the bassist in the excellent indiepop band The Proctors, but that does not stop her from releasing her own solo material. This simple, two track Christmas single, is released on Cath ‘N’ Dad Records, which allows you to name your own price on all their releases. The catch? All the proceeds go to the charity of the band’s own choosing. Lisa chose Popkollo, a Swedish (yes, she is Swedish – I’m such a sucker for the Swedes) charity best described by Lisa:
Popkollo started as a music summer camp for girls, and is now a nationwide collaboration of incredible female musicians who support girls all over Sweden in their musical endeavours.
As for the songs, they are short, sweet, and performed beautifully. Not quite sure they are the kind of vibe that I look for in my Christmas mix, but certainly would fit the bill for some of you. To the best of my knowledge, “Christmas Rain” appears to be Lisa’s own song. There are other songs with the same title, but not a match when I compared the lyrics. It is an excellent song, and the production value is of equal quality. The second and final song is a cover of Joni Mitchell’s “River.” Covered by a million other singers, Lisa’s version does nothing to rewrite the script. However, she does it quite nicely.
Bottom Line: Lisa Bouvier’s Christmas single is short, sweet, well performed and produced, and all the proceeds go to charity. I think you’ll be quite pleased with your purchase. 4.3/5
And for good measure, be sure to check out The Proctors, the band Lisa is presently touring the world with.
Bladen County Records/Merge Records/Self-Released
Buy: Bandcamp! (well, for 2 of them)
The Love Language make some fine indie rock in Raleigh, NC… and in the proud tradition of their fellow Raleigh-ites, The Rosebuds, have some incredible Christmas tunes.
In 2008, the Love Language released “White Christmas” on a (now long-lost) download-only comp put out by Bladen County Records. However, this is not your parents’ “White Christmas.” You can’t get much darker than “Santa bring my baby to me / I’m gonna hang myself from a Christmas Tree / But all the ones that I’ve bought / They’re only six feet tall.” So… be prepared… and also be ready for some fantastic music. This song sounds amazing. — EDIT: This was also released as “White Christmas/Black Fetus” by the Light Language, a meeting of the Love Language and the Light Pines! I don’t know how I just discovered this link!!
2010 saw the Love Language move on from Bladen County Records, and head for the bright lights of indie-rock powerhouse Merge. It also marks the first year of (what I really hope is) a yearly tradition of last-minute Christmas songs released to the Raleigh-centric (duh) blog NewRaleigh.com. “Gsus” is a fantastic groove, one that made its way onto my 2011 mix and remains a personal favorite. It was recorded by Stu and BJ, with voicemails from the band members who were out of town – which sounds odd, but totally works. YOU NEED THIS.
The Love Language released “Christmas in Toyland” to NewRaleigh.com last year… also in the nick of time (Dec. 23). Another great song… a bit of a slow-burner, but very well worth it. Check it out.
My fingers are crossed… and I’ve been checking The Love Language’s FB and NewRaleigh.com for the past few days, hoping for another late Christmas gift from one of the great composers of indie rock Christmas classics.
Bottom Line: Free downloads of fantastic original songs. 5/5
Download 2011’s “Christmas in Toyland”
Slender Means Society
So, we are in an off year here in Christmasland. Why an off year you ask? Because the Parenthetical Girls only release a Christmas single/EP every other year, and they blessed us with this 3-track gem last year. So, alas, we will all have to make do with listing to the wealth that is their back catalog (which I shall review on another date). EDIT: They have thrown me for a loop… and are releasing a new EP this year!
Save Christmas is their second Christmas release in a row that is stellar from top to bottom – 3 tracks of gold. I could have put any of these tracks on my personal mix and been completely happy. The leadoff track, “Christmas Past,” sets the tone for the rest of the release with dark lyrics, surrounded by a shimmering bass line and jingle bells. This ending relationship is a tragic and beautiful song, one that finds my soft spot for sad Christmas tunes and pokes it repeatedly.
“Post-Christmas Time”… from what I understand, being that there are no lyrics, and it can be, at times, a little tough to discern, is about a post-apocalyptic time that no longer celebrates Christmas. Lines like: “Run for your life, its post-christmas time,” have led me to that assumption. Its interesting listening, even outside of the season. And the music is fantastic.
It ends with an absolutely lovely “There’s Always Tomorrow,” from the holiday classic Rudolph, the Red-Nosed Reindeer. Both sad and hopeful at the same time, this version conveys the requisite emotion that the song demands… if you ever wanted a sweet Christmas song out of the Parenthetical Girls, this might just be your dance partner.
Bottom Line: Three great songs, a name-your-own price (pay them!), what have you got to lose?! 4.8/5
Class Actress. Dan Deacon. Cloud Nothings. Three Christmas songs on a free record (from select indie stores last year) that had me on the edge of my seat.
Too bad I don’t like any of them. The Cloud Nothings track is purely instrumental… not something I normally look for with a Christmas tune, though if it were compelling enough, not something I’d rule out. The Dan Deacon tune samples animal noises… which makes it (in my estimation) unlistenable. The Class Actress cover of “Silent Night” is acceptable… but I just don’t like that song on a mix. If it ever makes the cut, it will be because someone did something truly unique with the song that makes me enjoy it.
The non-holiday songs are generally great. Shortest review ever.
Bottom Line: If you create a Christmas mix based strictly on the hipness of the band and not the song, this LP is for you. The following number score is holiday-song specific and does not reflect the generally excellent non-holiday tunes. 1.3/5