Friday Bridge “Coloured Lights Will Fall Like Bombs” (2012)

Friday Bridge

But Is It Art? Records/Self-Released
Buy: Stream

Friday Bridge is a (Can you guess the country? Do you read my blog?) Swedish pop duo comprised of Ylva Lindberg and Niklas Gustafsson (of the Higher Elevations). Back in 2012, they released a Christmas tune on Youtube, and a good one at that. I dig the atmosphere of the song – and while I can’t make out many of the lyrics, I don’t really care. Short, with a f*ing fantastic title… it might just sneak onto your mix.

Bottom Line: No way to download this song without getting creative… good tune, listenable, but may need to grow a tiny bit more to claw up into my favorites. 3.8/5

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Memoryhouse “The Year Will Be Our Year” (2012)

memoryhouse - this year will be our year

Self-Titled Magazine
Buy: Free!

Why not round out the week by rounding out my Memoryhouse posts with their one remaining Christmas/New Years track? Back in January 2012, Memoryhouse covered this classic Zombies’ track to celebrate the new year. Posted and hosted by Self-Titled Magazine, this cover is certainly worth your time. The noisy guitar parts that they every-so-often intersperse differentiate it from the wonderful Mynabirds’ version enough to let it stand on its own.

Bottom Line: Free download. Great song. Great Band. Why not? 4.4/5

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For Folk’s Sake it’s Christmas 2012 (2012)

For Folk's Sake 2012

For Folk’s Sake
Buy: Bandcamp

For Folk’s Sake has been putting out Christmas compilations for (including this year) four years now, and I do hope it continues into infinity. I can easily say that Folk Folk’s Sake it’s Christmas 2012 was the best compilation that I purchased last year. Entirely listenable with some complete gems, this comp was worth every cent. I was one of the lucky few with an actual CD, as I do love physical media, and that just adds to the luster in my eyes.

While I feel there are many 3’s and 4’s on this record, I don’t have enough time to go track-by-track. However, I will most certainly highlight my absolute favorites. Please keep in mind, some of those songs I don’t mention at this very moment may indeed, one day, become a favorite that should stand with these… but I cannot see the future.

Ellen and the Escapades “By the Fireside” has that classic percussion + jingle bells that we have all come to expect from Christmas songs, which is not a knock at all – its the Darlene Love formula, but updated to their own, modern purposes. This song is good enough to be covered for years to come… and while I can’t imagine a different production being better than this one… perhaps a stripped down, banjo version would do the trick. Beautiful song. Can’t stress that enough.

Gibson Bull and Carmen have made me a believer in “The Holly and the Ivy.” I’ve heard versions from Los Campensinos (a good one, maybe even a great one) that come close, but not as good as this. Their voices are good, but not TOO good, which means they don’t overpower the song. They compilment each other so well – his early Dylanish tone and her soft tone wrapping that like a scarf on a cool winters night – true perfection.

Tom Williams‘ “Christmas (So Much Better When You’re Here)” reminds me of Mason Jennings’ lackluster contributions to the Brushfire Christmas comps… and how much better they would be if he took Mr. Williams approach. Stripped down, melancholy and utterly beautiful, this track is for that late-middle section of your mix, before you pick it up a bit in the latter half. It might just be someone’s favorite song, if they are a Handsome Family fan or something of the sort.

I’ve been glowing about these early songs, but you and your buddies in Spinal Tap will have to turn the glow up to 11 for this one. Gerard & the Watchmen’s “The Road” was very much one of my favorite Christmas tunes of the last five years. Comparison is useful for description, so please don’t think that I’d rather have these artists perform the song… but if Bon Iver had released this song, everyone would have (pardon my vulgarity) shit their pants in approval. I love it when a song’s ending is my favorite part.

So, with very few exceptions (mainly the really traditional stuff… but that’s a personal preference), For Folk’s Sake 2012 is one of the strongest compilations in years. Do yourself a favor, send them some money and download it right now.

Bottom Line: These kinds of releases make my life infinitely more enjoyable. 4.7/5

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This Christmas (with Anthologies and Hide & Seek) (2012)

This Christmas (with Anthologies and Hide & Seek) (2012)

Anthologies / Hide & Seek Records
Buy: Donate

A very admirable, and higher quality (than most) charity compilation by Anthologies has come out two years in a row now, and I do hope it becomes a yearly seasonal occurrence. Donation amounts are left up to the giver, and all proceeds go towards supporting the homeless.

While I must admit, there was nothing that I fell in love with, I found it a very listenable compilation. The Birthday Kiss‘ “Sentimental Christmastime” was released outside of this compilation first, but is certainly a welcome addition. I happen to be a fan of The Lodger, so a Lodger side-project (The Birthday Kiss) will always garner a bit more attention from me. Dancing Club’s “Silent Night” brings new phrasing and instrumentation to what I normally find a very boring song. His voice is odd, yet good enough to be interesting – and I do love a banjo. Finally, These Men‘s “How Come You’re Only Nice to Me at Christmas,” is another to check out – great lyrics, nice music and short – always a bonus. The rest of the record is certainly listenable, and your personal song preferences will likely direct you to like songs that I might simply cross off out of my personal prejudices. For example, I hate “Wonderful Christmastime.” HATE it. So, that’s me.

Bottom Line: Good cause and overall very listenable. Keep em coming Anthologies. 3.8/5

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Allo Darlin’ “Only Dust Behind” (2012)

allo-darlin-7777777

WIAIWYA
Buy: Bandcamp

Allo Darlin’ have a long history of Christmas tunes. In fact their first-ever release was a Christmas EP. I may review that one day soon as well; we’ll just see how it shakes out. I am not hear to talk about the distant past, but the ever-so-recent release from 2012, their WIAIWYA 7″ from last December. The Christmas song that resides on the A-side is one of my absolute favorite of the past few years, “Only Dust Behind.” This is one of those tracks that I just always come back to. My only regret… that I was unable to get my act together to buy a vinyl copy. However, as consolation, a lovely FLAC waits for you at the link above. I will not bloviate any more, you really just need to listen to it.

Bottom Line: Simply said, wonderful. 5/5

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Faye and The Scrooges “Fancy Postman” (2012) and “Terrible Presents” (2011)

Faye and the Scrooges

Self-Released
Buy: Stream

Two excellent little songs from the rather mysterious Faye and The Scrooges have come across my Soundcloud searches of late. Before I inquired, very little could be found about them. Google searches led to nothing. I thought, perhaps, there was an odd Aluna George connection, since that is the only band they followed. They had 2 songs up, and by all measures, were quite obscure with two very modest play counts (as of now, 80/768). I took a moment and asked them who they heck they were, and learned that this is the product of a group of friends who get together and write/record a Christmas song with just enough time to give them to friends at the pub on Christmas eve. Judging by the production value, this group of friends knows their way around a recording – they sound great. Both songs are silly, but not too silly as to be annoying. They are simply quite clever, and extremely enjoyable. Jump on this bandwagon and add to their 4 followers, and while you’re at it, follow Pluto Rise on Facebook and Soundcloud – because two of the members of this trio have started a band, and its bound to be pretty damn good.

Bottom Line: Faye and The Scrooges have my vote. They are one year away from writing an indie classic. Perhaps set up a Bandcamp to allow FLAC downloads? 4/5

Parenthetical Girls – Good Christian Men Rejoice, It’s Parenthetical Girls (2012)

Parenthetical Girls - Good Christian Men Rejoice, It's Parenthetical Girls

Slender Means Society
Buy: Bandcamp

Parenthetical Girls never disappoint when it comes to Christmas tunes; They are ALWAYS interesting.  2012’s edition, Good Christian Men Rejoice, It’s Parenthetical Girls, does not have any of the sure-fire xmas singles that some of their early releases had, but the entire release is uniquely fantastic. This release is a fully-formed group of songs meant to be listened to as a set. After some basic research, I am led to believe that all these songs may very well be originals, but I just await that clarification from my better educated readers. For example, there are a bunch of “Christmas Mourning” tunes out there, but the Parenthetical Girls’ version rings original to me. My favorite track would have to be the gorgeous “The Salvation Army Bell.” Parenthetical Girls can be wonderfully abrasive, but this track is like a warm hug… at least, as warm as the Parenthetical Girls can be. The lyrics set such a vivid scene and very much suggest the short story that comes in the final 12-minute track, with lines like: “A cold day, the end of December / those bright bells chimed. / In a twin bed, we swore to each other / you’d show me yours, if I showed you mine.” Parenthetical Girls, please continue this tradition. You are in the top tier of Christmas songsmiths, and each release is a welcome addition to the underground Christmas canon.

Bottom Line: This release stands beautifully as a fully realized piece of art. Would be a perfect 5/5 if I could have just squeezed on single off it, which I am well aware, is antithetical to why I loved this record. 4.6/5

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Peaks “Xmas Song” (2012)

Peaks "Love"

Sober & Gentle
Buy: RoW (as in… not available in the US, barely available to the world)

Did you enjoy Cocoon? Because if you did, you may like Peaks. Why? Because its one half of Cocoon (Morgane Imbeaud) singing a song that has nearly the same name! Officially released on their debut mini-album, Love, this song was also promoted as a Christmas gift from Peaks last year. I do not believe it was ever available for free download though…

As you can imagine, the music is quite lovely. It is unavoidable for a band associated with Morgane Imeaud. Now lets take a stab at the lyrics… if you guessed dark, you guessed right! The song finds the lead character lamenting how wonderful it would be if they were still in love and stuck inside together, while crying that her love is not there and not coming back again. So bring that mix back down to earth with this fuzzy little Christmas dirge.

Bottom Line: You guessed it. I’m a fan. Loses points because of the extreme lengths you may have to go through to actually purchase this song. Sober & Gentle will not ship to the US, and I can’t find it on Amazon/iTunes. 4.2/5

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Silent Night, Tiny Lights (2012)

Silent Night, Tiny Lights

Tiny Lights
Buy: Bandcamp

A generally solid compilation with some definite highlights, but keep in mind one can’t be toooo tough on something that benefits kids. I was able to get ahold of one of the very-limited CD versions of this release, though consider that a personal failing of mine (the urge for the physical object, not just buying bytes). I bought it on spec… I think there were only about 100 or so, and the price was not more than the download if I remember correctly… bonus points for that.

This is a big one (19 tracks), so were are really only going to go through the highlights:

The Futureheads‘ “Christmas Was Better in the 80s” came out a few years ago, but remains a personal favorite. This is a nice bonus, being that I had only been able to previously purchase an MP3, and have now since upgraded to CD/FLAC. Certainly mix-worthy, and if you live in the states, you may even impress a friend or two who haven’t heard it and/or have no clue who the Futureheads are.

Blank Maps‘ “Stollen” is the kind of track that I like to have about 3/4 through the disc, slow, pretty and dramatic. Perhaps I haven’t listened closely enough yet… but having a tough time connecting it to Christmas though. Lionhall’s “Angel” falls into the same category. Loose if any Christmas connection at all, with the same pace and beauty. These are not necessarily something I would put on a mix, but certainly better songs than most.

The Railway Club slow down “Baby, Please Come Home” with excellent results. Acoustic guitars, an organ, bass, jingle bells (perhaps a mandolin too) and nice harmonies created a nice warm atmosphere. The original overpowers with a wall of sound, while this version invites you in for some cocoa.

A Woman of No Importance‘s “That’ll be Christmas” is one of the more interesting originals covers on the record. Thea Gilmore’s tune is very engaging; the lyrics can be funny or sad, sentimental or daft, all within one verse. I have not heard the original yet, but will no doubt do so. Certainly worth a listen. (Thanks for the clarification onedaywhen. Feel free to throw some listening suggestions my way too!)

Fawn Spots‘ “Santa Won’t Get Away with it This Year,” is noise rock with synths, and it works. Certainly something to consider for your Christmas mix, if you need something to up the pace. I know that I’ve had years where I was scrounging for something that wasn’t mid-to-low tempo and pretty… just hoping to find that dirty rock n’ roll to spice it up a bit. If I remember correctly, they also won Fat Cat Records Christmas song contest with this song as well.

While there are still some very listenable other tracks on the disc, these are the main ones that I wanted to call out. I just can’t do track-by-track for 19 tracks. I have a baby, and there just isn’t enough time in the day.

Bottom Line: Some good stuff, but only 2-3 songs that I would consider mix-worthy (and one of them has already been on one). 3.5/5

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Don’t Stay Home Alone This Christmas: A Select Music Xmas Mixtape (2012)

Don't Stay Home Alone This Christmas: A Select Music Xmas Mixtape

Select Music
Buy: Free!

One of my most recent finds, this free compilation from Sydney-based Select Music is an extremely solid compilation that is wholly listenable; A fine effort that I hope they continue to pursue in the future.

Step-Panther‘s version of “Merry Christmas (I Don’t Wanna Fight tonight)” begins and ends with a skit, which I’m sure you could edit out quite easily. The delivery of the actual song makes me think of a bunch of 16-17 year olds rolling through this classic Ramones tune, which could be exactly the vibe you’re looking for… I, however, don’t feel like this song is good enough (as in, the song, not the performance) for simply a serviceable cover. Asobi Seksu’s version is different enough to enjoy over multiple listens, but Step-Panther’s, while not bad, just doesn’t quite break the mold of the original.

Wax Witches‘ “Forgot Me” is a solid indie-rock Christmas tune. I am always partial to originals, and the Wax Witches effort is certainly in the upper 10% of the pack. It actually grows on me a bit with each listen… not quite sure if its going to get to the level where it will be mix-worthy, but a great effort no matter.

The Cairos rendition of “Sleigh Ride” is about as good as it can be. I would never consider this song for my mixes to begin with, but if I HAD to find a version to play for someone, this would certainly be an option. They do their best with what they’re working with.

Millions take a stab at the modern-classic, “All I Want for Christmas is You,” and they do it admirably. Its kind of a fusion of indie rock with an alt-country beat and the twangy guitar of an earlier time. Their arrangement really makes the song their own, and thus it is immensely listenable. This is one of the songs that you need this compilation for… and hey, its free.

The Preatures take on “Have Yourself a Merry Little Christmas,” and they follow the Millions lead-in with a similarly unique take on a classic tune. They lighten the mood, add some dirty edges, and throw their version onto the top of the pile. Short, sweet, and spot on.

Finally, Jonti‘s “Christmas Worm” makes an appearance at the end of this short compilation. If you read my blog, you are well aware of how much I enjoy this song. I will no doubt be writing more about this song as the season develops, as I have also found a cover from a few years ago as well. So… enjoy this release and the FREE FLAC that it offers.

Bottom Line: There are three great songs, and three good songs. If every other Christmas compilation could be so fortunate. 4.5/5

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