Todd Snider “Happy New Year” (2006)

A painting of a man in a suit with a cigar in his hand, and a halo over his head.

New Door Records
Buy:
Apple Music | Amazon MP3 | Todd Snider Website (Purple Version)

I remember listening to Todd Snider back in high school, hearing My Generation (Part 2) and loving his thoughtful, clever, funny songwriting. I believe my art teacher Kate hipped me to him. That was probably most folks’ introduction to Todd — the song, not my teacher Kate, of course! It is an incredibly clever, catchy song. I dipped in and out of his career over the years, owned a few records, and always truly enjoyed his work.

Over the weekend, I saw that Todd had passed. Lord, he was only 59. An undiagnosed case of walking pneumonia was what took him. I hadn’t realized how deadly pneumonia can be — a 30-day mortality rate of 15%, which is wild. Of course… it got me thinking: with Todd’s huge catalog, there has to be a Christmas song. Turns out the only real Christmas track (beyond the odd live cover) that Todd had a hand in was Billy Joe Shaver’s Merry Christmas to You, which he performed on (and perhaps helped write?). It was a bonus track on Shaver’s 2002 album Freedom’s Child, and isn’t easily available to buy as a download.

However, Todd does have a spectacular talking-blues tune called Happy New Year. Classic Todd Snider — a perfect piece of storytelling with clever lyrics, social commentary, and a big old dose of humanity. There are two versions: the initial release from 2006’s The Devil You Know and the “Purple Version,” a re-recorded version Todd generously offered as a free download on his website. It’s a spooky listen, folks — the song has a good dose of mortality, and now it hits perhaps a bit too close to home.

Now Christians don’t walk out on me just yet
You know whose name I’m yelling as I’m clutching my chest
The one my dad told me to and his told him to
And I probably pray as much or more than you do
Believe? shit, every word I sing

That bit is something for sure, but there’s also a moment in the spoken introduction to the Purple Version where he says, “and then there was that late day in November when it all ended.” Spooky.

The song also ends differently:

Father forgive us for what we might do
You forgive us and we’ll forgive you.
And we’ll forgive each other ’til we both turn blue.
And we’ll whistle and go fishing… in heaven.

I’m a bit speechless.

Bottom line: Todd Snider was a treasure. The world is a bit less bright.

EDIT: I received a note from a reader (hi Stu!), and he has provided me with an MP3 of Todd Snider performing an alternate version of “Go Tell it On the Mountain” than I am accustomed to. So there is an official release of a Todd Snider performing a Christmas song.

OK. So we know where it is from now. The song is on a 1995 release called The Sounds Of Starry Nights, a CD/cassette, “presented by MIFA and Union Planters as a musical reflection of the season at the holiday light show Starry Nights.” Starry Nights is a Christmas light show held at Shelby Farms Park in Memphis and is the largest annual fundraiser for Shelby Farms Park and Shelby Farms Greenline. Shelby Farms is one of the largest urban parks in the country – one might call it Memphis’ Central Park or Golden Gate Park, I’d imagine. Pretty damn cool….

Now, if you head out there looking for this release, pay special attention to the track list on the back. There are multiple issues of this Starry Nights release, each from a different year, and with no noticeable change of title. However, the cover art varies slightly, which helps. I have yet to see a cassette edition with Todd’s track on it, though I assume it does exist.

Thanks to Stu for the update!!!

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Klô Pelgag “Marie-Noël” (2025)

Secret City Records
Buy:
Bandcamp | Apple Music | Amazon MP3 | Amazon.uk MP3 | Amazon.fr MP3

I’m apparently back in 2022, when I was in my “somehow writing exclusively about French-language Christmas songs” phase. To be stereotypically American, I don’t speak other languages, and French just sounds so damn nice to the ear. I suppose that’s why the one language I do have some experience with—German—doesn’t often appear here on Christmas Underground… it just doesn’t have the same musical quality. I know, I know… how obvious. Well, buckle up while I do my best to share a song and not embarrass myself once again.

I’ll check out pretty much anything on Secret City Records. When something new drops, I explore. Thus, I’ve found myself over the past year picking up all of Klô Pelgag’s (aka Chloé Pelletier-Gagnon’s) records, and I’m only about one away from having them allllll. Again, I largely have no clue what the heck she’s singing… but I absolutely love the music. And to make it even better—she has Christmas songs.

Looking at Klô Pelgag’s holiday catalogue, they all share one quality: a more spare, classic production, rather than the upbeat alt-pop found on many of her records. So while the vibe is more straightforward, the result is no less spectacular.

Klô Pelgag began her holiday releases with 2019’s “Toute seule pour Noël,” which I believe to be the only original she’s released so far (unless she has another hidden on a proper record). Should you wish to translate it, you’ll find it’s quite a sad song—as the title “All Alone for Christmas” suggests. Her voice begins accompanied only by piano, but then the cello slips in and the emotion builds. It’s beautiful if you can get over the sadness, and sad Christmas songs are largely what I peddle here at CU.

She added to her holiday catalogue again with a cover of “Le sentier de neige,” or “The Snowy Path,” once again using a sparse piano arrangement. Originally released in 1964 by Les Classels, this Christmas waltz is about a couple in love who shared a kiss on a snowy path in the woods. Getting mushy in the mush!

Her most recent holiday track is a beautiful cover of “Marie-Noël,” first released by Robert Charlebois in 1967. You may recognize this song from Elliot Maginot’s 2023′ cover, which I obviously also recommend. Judging by the sheer number of covers, it seems to be a true Québécois Christmas classic. Klô Pelgag continues her sparse, piano-driven approach here, once again singing with an emotion that transcends language barriers.

Bottom Line: I think we all can agree that Klô Pelgag should release an entire solo piano Christmas record… right?

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Stoylov & Chloé Jara-Buto – biscuit (2024)

Fabrique de Noël
Buy:
Bandcamp (NYOP)

In the past 24 hours, I’ve heard about three notable French-language releases. All are worth considering and may very well end up in front of your eyes here on Christmas Underground. However, they all gave me that urge to find out what the heck they were saying. That’s both a good and a bad thing—because when I know what a song is about, it can make me feel more secure in my opinion of it. However… what I love most is when I connect with the music in such a way that I don’t even need a translation.

Montreal’s Stoylov & Chloé Jara-Buto managed to slide into that latter category with their gorgeous 2024 EP, biscuit. I immediately knew I had to share this record with you all—no matter what they’re actually singing about—because this record is about a feeling. It’s loose, warm, and short. They left me wanting more, and honestly, they should always leave you wanting more.

Now, I did do a little translating—not of the lyrics, but of the write-up Stoylov posted on the Bandcamp album page. I found myself oddly emotional reading these two paragraphs, because Stoylov, like many of us here in the alternative Christmassphere, was transformed by the beauty that is Low’s Christmas. However, unlike me, Stoylov wasn’t compelled to start making underground Christmas mixes… he has genuine musical talent, so he found himself with the urge to make some Christmas music of his own. I’ve taken the liberty of posting the translation below:

Recently, while browsing Bandcamp, I stumbled upon Low’s Christmas album. The urge to release some holiday music was simply… irresistible. I decided to work on it, and being quite openly a huge fan of Chloé Jara-Buteau’s music, the idea of ​​joining forces came to me, an idea she enthusiastically shared. So, it was in the hustle and bustle of the famous Rouen studios in Hochelaga-Maisonneuve that we got to work.

I had a couple of demos lying dormant on my hard drive, demos saturated with glockenspiel and sleigh bells. They were useful for getting started. I’m not really used to having company in the embryonic stages of composition: I’m a bit chaotic, sloppy, and capricious. A real little prince. Besides, I’m constantly taking breaks to smoke outside, a really bad habit I’m having a hard time breaking. We still managed pretty well though: three songs and a cover of… Aphex Twin.

Bottom Line: The magic of Low, folks. As if we couldn’t owe them even more—they gave birth to my mix, this blog, and now this beautiful EP. Go forth, listen to biscuit, then pop on Low’s Christmas.

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Teen Mortgage “Below the Christmas Tree” (2025)

Roadrunner Records
Buy:
Bandcamp (not there yet?) | 7Digital (MP3/FLAC) | Apple Music

Christmas Underground, as badass as I obviously am — I eat glass for breakfast — is not exactly overflowing with punk rock Christmas songs. I’m probably more likely to write about some twee band from Antwerp than a punk outfit from Washington, D.C.

Often, punk rock Christmas songs fall into the Blink-182 lane — and while I know that’s many folks’ jam, it just isn’t mine. I like punk rock that leans toward its cousin, garage rock — the kind with lo-fi production and fuzzy guitars, like Idaho Green or Stephan and Johnny.

Well, add a new name to that list, because this new song by Washington, D.C.’s Teen Mortgage is fucking fantastic. “Below the Christmas Tree” piles angular guitar riffs over a driving, fuzzy bassline — straight to the heart of this lowly Christmas blogger.

The music will hook you, but the lyrics will reel you in. A satirical anti-war song, it leaves you sitting in the simple decadence of a Christmas at the end of the world. World War III is upon us, and we’re moments away from destruction — so I got you a pair of turtle doves.

Well, open up your gifts now
Before they get turned into dust
Just forget all of those mushroom clouds
Becoming proper humongous.

Fucking hell. This song better remain satirical and not literal. I like the groove either way I guess…

Bottom Line: Absolutely stellar punk rock Christmas. If all punk rock songs were like this, I would run a punk rock Christmas music blog.

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Magdalena Bay “Last Christmas/Instant Crush” (2016)

girl singing into a microphone while a guy stands in the background playing guitar while wearing a santa hat

Self Released
Buy:
Stream on Facebook

I am going to have to take a break from writing about Exnovios (those rascals apparently have ANOTHER Christmas song). This post is really for my friends over at Under the Radar (subscribe!), who I know are in love with LA’s Magdalena Bay. I happened to sniff out this cover of “Last Christmas” that they dropped on their Facebook page back in 2016, the year that the band first got together! It has been scientifically proven that nobody needs another cover of “Last Christmas,” thus, when you put this on your mix, you may get an initial sideeye from your snobby friends. But when Magdalena Bay works Daft Punk and Julian Casablancas’ “Instant Crush” seamlessly into the song, your friend’s face will scrunch up, and they’ll ask, “Who is singing this?” Followed by a, “Fuck, that was fun.” Enjoy!

Bottom Line: A fun nugget from the past with a band of the future!

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Exnovios “Ya Es Navidad” (2025)

Munster Records
Buy:
Bandcamp | Vinyl (in the US)

We live in incredible times, as I continue to find Artificial Intelligence more amazing and terrifying as each day passes. I’m desperately trying to avoid ever featuring an AI Christmas song here – but I fear it is just a matter of time. Why the hell am I talking about AI?? Well, because I find myself cherishing folks whom I’ve come to know and love. You see… I know they are human… and I love their music. A wonderful example is Pamplona’s Exnovios, and while they may not have released a Christmas song before (to my knowledge!THERE IS ANOTHER!), one of their members, Tamu, has released several songs which I have had the pleasure of writing about here on Christmas Underground. So, when Exnovios drops a new record, and I get that Bandcamp email, I’m checking that shit out. They dropped their latest album, Fin, a little over a week ago, and I immediately clocked that tenth track, “Ya Es Navidad” (It’s Christmas!). I know this wasn’t a present specifically for me, but it certainly felt like one. Two chords gently rock back and forth through a song that is so fucking hopeful that you’re going to think you’re in an alternate reality. Who saw that one coming? Everything is so fucked, I was expecting a deluge of grim Christmas tunes.

I needed this song.

Remember me talking about AI? Well, I stripped the vocals, got a transcription, then a translation… all with AI… in about 5 minutes. Wild. I’ve pasted it below, and please excuse the formatting. In addition, if you are either 1) in Exnovios, or 2) fluent in Spanish, please excuse any translation mistakes. I took German in high school… and I can’t vouch for these robots. (EDIT – the robot made some mistakes, and my friend over at Popcasting fixed it!)

Year after year, it happens again, lights and the cold fill my city. I make promises, I ask for peace, and all my dreams will come true. They will come true, they will come true. Another year is here, yet none of my dreams came true, But you’re heare, and nothing can go wrong. The good stuff is yet to come, so much to do, so much to achieve. It’s Christmas already, it’s Christmas already. One year is over and a new one begins. It’s Christmas already. Ha. It’s Christmas.

Bottom Line: One of my favorites of the season so far, from some of my favorite people to boot. Go buy their record, Fin, as I am currently listening to it.. and wow this thing is great.

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Kean Kavanagh “Christmas Mode” (2023)

Soft Boy Records
Buy:
Bandcamp

Irish singer/songwriter Kean Kavanagh has captured something special with his 2023 holiday track “Christmas Mode.” Soulful and nostalgic, while keeping that edge and dropping some f-bombs, this song makes you think you’re going to bobbing to a smooth Steve Parks-esque jam, then he hits you with that emotional, fuzzed-out finish. Damn Kean. That one took me on a journey.

Bottom Line: This one is hard to classify if you’re trying to stick to a genre… and that is a good thing!

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The Bret Tobias Set “25th December” (2023)

Self Released
Buy:
Bandcamp (NYOP)

There are so many songs that I’ve been meaning to write about – had this one in the drafts for 2 years! You should see my email or my text messages… even worse.

Philly’s The Bret Tobias Set, led by the titular Bret Tobias (ex The Bigger Lovers), recorded this lovely version of Everything But the Girl’s “25th December,” lending a jangling, more dense orchestration to contrast with the more sparse original. A very nice change of pace indeed.

Bottom Line: A great cover of an indie-Christmas classic.

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Alela Diane & The Hackles – It’s Always Christmas Somewhere (2023)

Rusted Blue Records
Buy:
Bandcamp | CD/Vinyl

I know I write about a lot of grubby little songs. I love grubby little songs. I love weirdo Christmas—it nearly became the title of this entire site. However, every so often you come across a Christmas record that’s just good. I’m talking about the kind of record you might put on while opening presents with Grandma and Grandpa.

Alela Diane & The HacklesIt’s Always Christmas Somewhere is exactly that kind of record. The album is filled with expected classics (“Christmas Time Is Here,” “God Rest Ye Merry Gentlemen,” etc.), some lesser-known covers (“One Little Christmas Tree,” “Pretty Snowflakes”), and a solid original (“The Santa’s Gospel”).

However, I’m here specifically to talk about her cover of Joni Mitchell’s classic “River.” If there’s a standout on an already lovely record, this is most certainly it. The gorgeous woodwind lines, the contemplative guitar, the delicate harmonium—each contributes small melodic variations that sneak up and make you smile. Perhaps my favorite cover of this song ever—it might be yours too.

Bottom Line: What a lovely Christmas record. Recommended for the alternativo folks, as well as for those who just love classic, non-cheesy Christmas records.

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Remy Bond “Christmas in Kokomo” (2024)

Self Released?
Buy:
Stream (so far)

Half the fun—and the struggle—of having a hobby and a website like this silly one is the search. I love and hate it equally. Still, the rush of finding a great song is real—you know the feeling. I hate to admit I can often judge a book by its cover, but… years of experience suggest I usually can. So when someone defies my inner bias, well, I find that delightful.

Which brings me to New York–based singer-songwriter Remy Bond, whose image is a mix of Sabrina Carpenter and Paris Hilton, sent back in time with Lana Del Rey to hang out with the Ronettes. Remy’s been a child actress and a child reality TV chef (no joke), but over the past few years, she’s been steadily working in the NYC music scene—eventually signing with Warner Records in February of this year.

So far, that bio and the major-label connection don’t exactly scream Christmas Underground material, do they? Well, screw that—I don’t have enough readers to maintain an image anyway!

Remy dropped a Spectoresque Christmas single last December, “Christmas in Kokomo,” that’s damn enjoyable—though complicated by the fact that it’s impossible to buy and hard to stream. Spotify? Nope. Apple Music? Nope. YouTube? Yes. SoundCloud? Yup. Super weird that this genuinely great single is, by all accounts, “unreleased,” though I suspect it’s primed to resurface this holiday season with a major label behind it.

Look at me! Covering the big leagues! We all know I’ll be back to writing about weird cocaine Christmases from New Zealand tomorrow….

Bottom Line: I’m pretty down with this retro futurism.

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