An Indiecater Christmas (2008)

an Indiecater Christmas

Indiecater Records
Buy: Bandcamp7Digital MP3

An Indiecater Christmas was Indiecater Records‘ first foray into Christmas tunes, beginning a streak that ended in 2011. But wait… set your clocks for December 1, because 2013’s edition is not far away! But I digress – 2008 felt like a moment in time where a wealth of comprehensive indie Christmas comps were coming out (as opposed to the single tracks that I see more frequently now), and An Indiecater Christmas is one of those must-have releases of yesteryear.

There are plenty of good songs on this record, but I will call out a few for review’s sake. The Very Most, purveyors of generally excellent Christmas tunes, give us the jingle-bell heavy “This Year, Christmas Came on November 4th.”  A solid tune, that could sneak its way onto anyone’s Christmas mix without much trouble.

Jape and David Kitt (YES!) contribute an appropriately titled “I Will Cry this Christmas.” While I do enjoy the vibe, and even the song in general, I can’t bring myself to put it on a mix. Perhaps your mix will have different needs – because its an excellent song – and I f*ing love David Kitt. I wish he would do another Christmas tune…

My Teenage Stride‘s “Is it Christmastime Already,” has a vibe and production value that makes you think that it is already a Christmas classic. Any major-label band that wants to pick it up, cover it, and throw it on their platinum-selling Christmas record will likely make this song a holiday staple.

There are many other good songs on this record – but when it comes to large compilations, and with my job/child/computer problems, brevity shall be my mantra.

Bottom Line: Great price, great songs, why not? 4/5

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For Folk’s Sake it’s Christmas 2012 (2012)

For Folk's Sake 2012

For Folk’s Sake
Buy: Bandcamp

For Folk’s Sake has been putting out Christmas compilations for (including this year) four years now, and I do hope it continues into infinity. I can easily say that Folk Folk’s Sake it’s Christmas 2012 was the best compilation that I purchased last year. Entirely listenable with some complete gems, this comp was worth every cent. I was one of the lucky few with an actual CD, as I do love physical media, and that just adds to the luster in my eyes.

While I feel there are many 3’s and 4’s on this record, I don’t have enough time to go track-by-track. However, I will most certainly highlight my absolute favorites. Please keep in mind, some of those songs I don’t mention at this very moment may indeed, one day, become a favorite that should stand with these… but I cannot see the future.

Ellen and the Escapades “By the Fireside” has that classic percussion + jingle bells that we have all come to expect from Christmas songs, which is not a knock at all – its the Darlene Love formula, but updated to their own, modern purposes. This song is good enough to be covered for years to come… and while I can’t imagine a different production being better than this one… perhaps a stripped down, banjo version would do the trick. Beautiful song. Can’t stress that enough.

Gibson Bull and Carmen have made me a believer in “The Holly and the Ivy.” I’ve heard versions from Los Campensinos (a good one, maybe even a great one) that come close, but not as good as this. Their voices are good, but not TOO good, which means they don’t overpower the song. They compilment each other so well – his early Dylanish tone and her soft tone wrapping that like a scarf on a cool winters night – true perfection.

Tom Williams‘ “Christmas (So Much Better When You’re Here)” reminds me of Mason Jennings’ lackluster contributions to the Brushfire Christmas comps… and how much better they would be if he took Mr. Williams approach. Stripped down, melancholy and utterly beautiful, this track is for that late-middle section of your mix, before you pick it up a bit in the latter half. It might just be someone’s favorite song, if they are a Handsome Family fan or something of the sort.

I’ve been glowing about these early songs, but you and your buddies in Spinal Tap will have to turn the glow up to 11 for this one. Gerard & the Watchmen’s “The Road” was very much one of my favorite Christmas tunes of the last five years. Comparison is useful for description, so please don’t think that I’d rather have these artists perform the song… but if Bon Iver had released this song, everyone would have (pardon my vulgarity) shit their pants in approval. I love it when a song’s ending is my favorite part.

So, with very few exceptions (mainly the really traditional stuff… but that’s a personal preference), For Folk’s Sake 2012 is one of the strongest compilations in years. Do yourself a favor, send them some money and download it right now.

Bottom Line: These kinds of releases make my life infinitely more enjoyable. 4.7/5

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Haze “The River” (2013)

Haze

Self-Released
Buy: Bandcamp

I don’t consider this a blog that is there to inform you of HOT NEW MUSIC. The goal of Christmas Underground is more to ferret out those hidden gems that might have passed you by, or give an alternate take on a record that others have likely loved… not necessarily posting new stuff coming out with any real voracity.

However, I did come across a rather intriuging cover of Joni Mitchell’s “River” that I thought I might share. Yes, yet another cover of “River.” However, I think Haze does a pretty great job with this song. Stripped down, with layered backing vocals that for a split second reminded me of Glasser, she takes “River” and with slight changes, does appear to make it her own. While the song normally bores me, she does little things to keep me engaged.

Bottom Line: While I’m not a huge fan of the song to begin with, Haze does it justice with a excellent arrangement. 4/5

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Spottiswoode and His Enemies “Chelsea Boys” (2008)

Spottiswoode and His Enemies - Salvation

Self-Released
Buy: BandcampiTunes

This song is amazing. I’m going to step back and let Spottiswoode explain it though:

“My recollection is that i wrote the opening two melodic lines with the clear intention of composing a Christmas carol (only realizing later that the melody was, of course, similar to “Hark The Herald”). and then the words for the first two lines came out:

Boys in Chelsea holding hands
Whistle as they watch us dance.

“Had I intended to write a gay carol? i don’t remember. My guess is that after mouthing those two lines my curiosity was piqued and I wanted to see where the song would go. i understand that many people may dismiss the tune as a novelty song or just think that’s it’s a little clever and twisted ditty, but to me it’s an achingly romantic song. it’s a love song. it’s not just a love song to the girl the singer is addressing who is about to share a dance with some leather-clad homosexuals in the snow. it’s a love song to gay New York and thereby, in Christmas spirit, to human brotherhood.”

Listen to this song. Its beautiful.

Bottom Line: One of my favorite finds, ever. 5/5

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Jesse Malin “Fairytale of New York” (2008)

One Little Indian
Buy: Discogs (CD) | Bandcamp

Jesse Malin has been on my radar since his first solo record, The Fine Art of Self Destruction (which also has a Christmas tune…). Yes, I missed his days in D Generation, but I am not Superman, and I give myself a pass. In 2008, Jesse put out a cover record, and I dutifully picked it up. To my delight, track 12 became one of my favorite covers of “Fairytale of New York” that I’ve ever heard. (Though, it does include the word.) Jesse Malin and Bree Sharp have a grittiness to their version that I love about the original, but Malin’s distinctive voice and phrasing really life to this version. Again, this is one of Jesse’s multiple Christmas tunes (which I may cover later), so if you are intrigued, certainly do a bit more digging.

EDIT: Can also be found on Mercury Retrograde.

Bottom Line: Makes it his own, without washing the bits of grit and grime from the original. Loses points only because that .2 goes to the original. 4.8/5

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Fireflies “Xmas Song” (2007)

Fireflies

Music is My Girlfriend
Buy: Bandcamp | iTunes | CD (Discogs)

A beautiful indiepop Christmas tune is hard for me to ignore. Fireflies hit the nail on the head with “Xmas Song” back in 2007, and was featured on my 2010 mix, Write About Xmas. The melancholy, the atmosphere, the brevity… it has it all. While it certainly borders on twee, its so good that those twee-phobes you are friends with may even find this song palatable. As an added bonus (and what prompted me to write this entry), Fireflies has added At Home to his Bandcamp. At Home is a collection demos, alternate version and unreleased songs, and at “name your own price” is a wonderful place to begin. On this record you will find a demo version of “Xmas Song,” along with two other mix possibilities, “Snowstorm (Original Demo)” and “Winter Has Come.”

I’ll get back to the tougher reviews when I get a bit more free time.

Bottom Line: Pure indiepop gold. 5/5

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Allo Darlin’ “Only Dust Behind” (2012)

allo-darlin-7777777

WIAIWYA
Buy: Bandcamp

Allo Darlin’ have a long history of Christmas tunes. In fact their first-ever release was a Christmas EP. I may review that one day soon as well; we’ll just see how it shakes out. I am not hear to talk about the distant past, but the ever-so-recent release from 2012, their WIAIWYA 7″ from last December. The Christmas song that resides on the A-side is one of my absolute favorite of the past few years, “Only Dust Behind.” This is one of those tracks that I just always come back to. My only regret… that I was unable to get my act together to buy a vinyl copy. However, as consolation, a lovely FLAC waits for you at the link above. I will not bloviate any more, you really just need to listen to it.

Bottom Line: Simply said, wonderful. 5/5

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Parenthetical Girls – Good Christian Men Rejoice, It’s Parenthetical Girls (2012)

Parenthetical Girls - Good Christian Men Rejoice, It's Parenthetical Girls

Slender Means Society
Buy: Bandcamp

Parenthetical Girls never disappoint when it comes to Christmas tunes; They are ALWAYS interesting.  2012’s edition, Good Christian Men Rejoice, It’s Parenthetical Girls, does not have any of the sure-fire xmas singles that some of their early releases had, but the entire release is uniquely fantastic. This release is a fully-formed group of songs meant to be listened to as a set. After some basic research, I am led to believe that all these songs may very well be originals, but I just await that clarification from my better educated readers. For example, there are a bunch of “Christmas Mourning” tunes out there, but the Parenthetical Girls’ version rings original to me. My favorite track would have to be the gorgeous “The Salvation Army Bell.” Parenthetical Girls can be wonderfully abrasive, but this track is like a warm hug… at least, as warm as the Parenthetical Girls can be. The lyrics set such a vivid scene and very much suggest the short story that comes in the final 12-minute track, with lines like: “A cold day, the end of December / those bright bells chimed. / In a twin bed, we swore to each other / you’d show me yours, if I showed you mine.” Parenthetical Girls, please continue this tradition. You are in the top tier of Christmas songsmiths, and each release is a welcome addition to the underground Christmas canon.

Bottom Line: This release stands beautifully as a fully realized piece of art. Would be a perfect 5/5 if I could have just squeezed on single off it, which I am well aware, is antithetical to why I loved this record. 4.6/5

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Lisa Bouvier – Live From Hendon Cathedral (2011)

Lisa Bouvier

Cath ‘N’ Dad Records
Buy: Bandcamp

Lisa Bouvier is presently the bassist in the excellent indiepop band The Proctors, but that does not stop her from releasing her own solo material. This simple, two track Christmas single, is released on Cath ‘N’ Dad Records, which allows you to name your own price on all their releases. The catch? All the proceeds go to the charity of the band’s own choosing. Lisa chose Popkollo, a Swedish (yes, she is Swedish – I’m such a sucker for the Swedes) charity best described by Lisa:

Popkollo started as a music summer camp for girls, and is now a nationwide collaboration of incredible female musicians who support girls all over Sweden in their musical endeavours.

As for the songs, they are short, sweet, and performed beautifully. Not quite sure they are the kind of vibe that I look for in my Christmas mix, but certainly would fit the bill for some of you. To the best of my knowledge, “Christmas Rain” appears to be Lisa’s own song. There are other songs with the same title, but not a match when I compared the lyrics. It is an excellent song, and the production value is of equal quality. The second and final song is a cover of Joni Mitchell’s “River.” Covered by a million other singers, Lisa’s version does nothing to rewrite the script. However, she does it quite nicely.

Bottom Line: Lisa Bouvier’s Christmas single is short, sweet, well performed and produced, and all the proceeds go to charity. I think you’ll be quite pleased with your purchase. 4.3/5

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And for good measure, be sure to check out The Proctors, the band Lisa is presently touring the world with.

A Very Radiant Christmas (2010)

A Very Radiant Christmas (2010)

Radiant
Buy: Free!

Hailing from New South Wales, all these songs were performed live on Radiant Radio, and thus, you can expect a bit less of a stretch when it comes to overall performance and product.

It starts with a deep-voiced gentleman, Kirin J. Callinan, working through “Merry Christmas,” a song he just wrote. Tough to get through, but to be expected for a song he’s only worked through on his way there.

Packwood’s “Oh Holy Night” is a ramshackle folk performance that comes in and out of tune and key, but that rawness directed to a song that you normally heard sung by a huge voice and soaring orchestra might just be what the doctor ordered.

The Maple Trail and A Casual End Mile & R. Somerset each do covers of traditional songs as well, and none of them are notable enough to highlight. They are both perfectly fine, but the song and the performance just don’t lend themselves to comment.

The Preachers “Run Run Rudolph” is notable for the single fact that you’ve got a woman covering a Chuck Berry tune that is most often covered by dudes. So, if that’s what you’re looking for, you got a twist. Otherwise, nothing too crazy. Excellent guitar playing, but not exactly what I’m looking for.

The Holy Soul’s “Six White Boomers” is a original, normally a bonus a cover (Stubby has corrected me, it is apparently a Rolf Harris tune)… and the production value (e.g., the sound… not everyone is mic’d well) torpedos it. I can’t say that I think the song is very good either. If you are an Aussie, you might enjoy it a bit more; I doubt I get the humor, especially when it sounds like they are having sex in the middle of a song.

Side Note: This is the second review where I have missed a cover version and assumed it was an original. I either have to take more time doing research (which I likely will not have time for) or you will just have to take what I say with a grain of salt.

Bottom Line: Overall, not something you need to take the time with unless something I described above sounds particularly appealing. 1.5/5

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