Tag: singer/songwriter

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King Hannah “Blue Christmas” (2024)

City Slang
Buy: Bandcamp | Apple Music | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3

I do not get excited for covers of “Blue Christmas.” I have heard a million versions… and rarely do I enjoy them. Liverpool duo King Hannah has somehow done it. Simply said, their voices sell it for me… how well they meld, how nicely they part, the warmth of their tone. Take away one of them from the mix, and the song is just another song. Definitely check out their non-seasonal music, which is damn good and might just distract you from working on your Christmas mix.

Dammit. Back to work.

Bottom Line: One of the nicest versions of a boring song I’ve heard in a long time. That sounds like a backhanded compliment, but truly, this is a great version… you’re just talking to someone who has heard this song too many times 🙂

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Winten “Holidays” (2023)

Self Released
Buy: Bandcamp

Wow. Rip you heart out. Winten’s “Holidays” is a deeply emotional song about the emptiness one feels after a breakup. It is simple and direct, with these short little moments that, while you haven’t specifically lived them before… you have. The emotion conveyed by (Bridgette) Winten’s voice is perfection, both surgical and fragile in equal measure. She gets in there… it is spooky.

The holiday connection comes in the last verse:

And do you remember two days before Christmas?
Houses were glowing like they knew things
But you don’t live there anymore
I’ll always be here and you’ll be somewhere.

Nobody gets out of this life without a few wounds along the way. This song captures this so, so well.

Bottom Line: This one is gonna get a few folks where it hurts.

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Liza Anne “I’ll Be Home for Christmas” (2020)

Tone Tree Music
Buy: Bandcamp

I hear the same songs all the time. Give yourself a win if you are not knee-deep in Christmas music for 4-5 months every year. Thus, when I hear something markedly different from the norm, I grab on for dear life. Nashville’s Liza Anne has provided this rescue buoy with her refreshing rendition of “I’ll Be Home for Christmas.” The orchestration makes this sad song sound downright happy, as instruments bounce around, popping in and out of the familiar melody. The damn thing just made me smile. This song is a vibe, one that I’m happy to surf on.

Bottom Line: Liza Anne has beautifully reimagined a classic.

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Young Jesus “Christmas Day” (2024)

Self Released
Buy: Bandcamp

This is a very small community – I see my stats. I feel like I know most of my readers’ full names and have even met a few in real life (Hi!). So I was delighted to get a ping to my Twitter this morning, as Bennett sends me notes from time to time (sometimes hidden in a package of REAL MAIL), and today he tipped me off to this wonderful song by Young Jesus (aka John Rossiter). “Christmas Day” can be found on John Case, a 5-song benefit EP that dropped today, with all proceeds to be split between the hurricane relief efforts of BeLoved Asheville, and a Gofundme that is created to help a 93-year old woman find a new place after being evicted. So the motivation behind releasing the record is great… how about we take a look at the song itself? Bennett highlighted the first line in his note to me, which is no doubt fantastic, but get a few lines in and you get lines like, “Love’s the only prayer that lasts.” I mean… fucccck.

I met your ass on Christmas Eve
broken nose and your torn-up sleeve
You said God won’t love you
unless you bleed.

I met you and your fancy shoes
gold necklace and a crooked tooth
Love just waltzed into the room

They say the holy ghost gone mad
so walk with me and take my hand.
Love’s the only prayer that lasts.

Those lyrics may be the highlight (for me), but I must also mention John’s intriguing voice. John’s voice has a patina far more interesting than those who can belt it out like you hear on the TV. I love this kind of voice… like a gap-toothed supermodel; The flaws are part of the package, part of the beauty – what makes someone uniquely interesting. Thanks again Bennett – this one’s pretty damn fantastic.

Bottom Line: “Christmas Eve” benefits from multiple listens, so why not throw some money down (on this #bandcampfriday) and get cracking. I need the universe to send me more of these.

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Arny Margret & Asgeir “Part of Me” (2023)

One Little Independent Records
Buy: Bandcamp

I’m going to Wisconsin this weekend. I rather thought that I’d be heading up north for a quick jolt of brisk weather, something to get me more in the mood to write about this stuff. I looked up the 10-day forecast and it was 87 in Madison today, a solid 10 degrees warmer than it is in Virginia. Just wild. I’ll just have to plug along without my anticipated mood enhancer and get down to what we’re all here for… writing and reading about Christmas music in September.

Hailing from Iceland, Arny Margret and Asgeir have a lot of sweater weather to get themselves in the mood to write Christmas songs. 30 seconds into my first listen to their 2023 collaboration, “Part of Me,” I was already equating the song to staring at a low fire, even before I read the description on Arny’s Bandcamp page:

A winter warmer with rich, acoustic tones and stirring melodies, the track showcases the kind of intimacy and nostalgia that Iceland’s homegrown singer-songwriters have become known for. ‘Part Of Me’ is a fireside duet with a timeless quality and comforting ambiance.

I mean… ditto? What else can I say? Fireside. Nostalgia. Pull me up a log – I’m there. Arny & Asgeir’s voices nestle perfectly together, with an ease that feels like a casual conversation. Their control and restraint are perfection – I love when a singer doesn’t need to sing, if you follow. The minimal orchestration is equally gorgeous, suggesting a steady heartbeat, occasionally swelling with emotion. Well look at me with all those pretty words – I feel like I’m getting a bit too flowery here for what is such a simple, beautiful song that you should already be listening to. I mean… this thing is fucking gorgeous, what are you still doing reading this?

Bottom Line: This song practically makes a big mug of hot cocoa for you.

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The Ornaments “Would It Kill You To Kiss Me Under The Mistletoe?” (2023)

Folkmonger Records
Buy: Bandcamp

It wouldn’t be Christmas without The Ornaments. I rather think they would agree… though, time does march on, and all good things do end. Thus, each year when the email comes in, I take a moment to appreciate that this dark tradition continues. The Ornaments‘ tunes are not your normal Christmas songs… they are dark, weird, and interesting. This year’s song, which my wife LOVED the title of, is “Would It Kill You To Kiss Me Under The Mistletoe?.” The song centers on a Mrs. Claus whose marriage is mistletoe-dependent… on a good day. Pair this one with Elliot Manigot’s “The Ballad of Mrs. Claus,” and the strained, yet devoted wife of Santa, and you’ve got two sides of the Claus coin. Needless to say, since it is an Ornaments song, Mrs. Claus is in a bad place. Hell, the song ends with this: “i’m not sure i can be mrs. claus anymore.” Santa, get your shit together!

Bottom Line: The Ornaments are as old as my son. Thankfully, I am not paying for their college… but I’m happy to listen as long as they deem fit.

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Caleb Nichols – So This Is Crimble (2023)

Kill Rock Stars
Buy: Bandcamp

You may recognize poet and singer/songwriter Caleb Nichols from his previous feature on this blog, or perhaps my 2023 Christmas mix, I’m an Igloo, which features his gorgeous 2021 song, “I Fell in Love on Christmas Day.” Well, this year Caleb has packaged up his previous Christmas tunes, including the wonderful, nearly brand new “Christmas, California,” from his 2023 album Let’s Look Back, and added a spectacular new track that is sure to delight many fans of this thing called pop music we all love.

This brand new, exclusive to this release song, as opposed to that old song from way back in October (Christmas, California), is “Crimble Medley.” The title may be a giveaway for hardcore Beatles fans (my son may know about this – he is in bed though!), but this term is apparently Beatle-ese for Christmas, coined on one of their fan club 45’s many a moon ago. I’m going to defer to Caleb’s description, as this song is packed full of Beatley goodies:

“…a late entry into the crowded Christmas music field with “Crimble Medley” — a 4-minute John Fahey-esque folk tune that seamlessly blends holiday offerings from the Beatles solo catalogs, all set to the musical base of the bands’ unreleased, fans-only track “Christmas Time Is Here Again.” Songs from all four Beatles are included in the Americana-twinged medley, including “Happy Christmas (War Is Over)” by John Lennon and Yoko Ono, “Ding Dong Ding Dong” by George Harrision, “Wonderful Christmastime” by Paul McCartney, and the Ringo Starr/George Harrision penned “Photograph”.”

Wrapped in a tight 4:13, Caleb packs a whole ton of seamless Beatle fun into this song. I’m sure it is going to be a favorite for the next few days… then again starting next September for you crazy folks (like me), and perhaps July for our southern hemisphere friends. Ah hell, if Caleb can put incredible Christmas songs on his “normal releases,” we all should work incredible Christmas songs into our “normal listening.” Justification found!

Bottom Line: What a lovely Crimble gift for us all.

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Kristian Noel Pedersen – Christmas Around Town! (AKKCXV)(2023)

Self Released
Buy: Bandcamp

T Swift has us all talking in eras lately, and I am not immune to the culture – so here we go. Kristian Noel Pedersen began his Saul McCartney era last year, with the stellar Saul McCartney’s Magical Holiday Season (AKKCXIV). The Evermore to that Folklore, KNP has gifted us with an unexpected and glorious follow-up, Christmas Around Town!. For those unfamiliar with the concept of these records, they are an imagined collaboration between KNP and imaginary 60’s pop icon Saul McCartney. This year’s record features an increasingly strained relationship between the two, as the voicemail messages from an annoyed Saul McCartney provide the delightful framework for some of KNP’s best work. From the wonderfully amusing “Waiting for Christmas” with its gorgeous guitar work, to the clever Polar Express-inspired “Dear Santa,” and the beautiful horns on the inspired “Hallmark Holiday,” there is so much to love here. Just press play and attempt to pick your favorite, I dare you.

Challenge accepted! The highlight for me has to be the two sides of “City Streets, Holiday Road.” I loved the amusing lead-in by Saul McCartney, threatening KNP not to make his song sound like “Morrissey-ass 80’s British beeeeep,” nearly as much as that absolutely perfect, Morrissey-ass 80’s British version of the song that of course, KNP makes. This song is some of KNP’s best writing to date – the nostalgia, the memories, while not becoming terribly sad… walking that razor’s edge of happiness and sadness that leaves me wholly impressed. “The city streets / echo the places that we go. / The memories / of playing outside in the snow / And you’re still there / Still see you underneath the lights / Your auburn hair / even if you’re not there anymore.” That’s just a small selection – the whole song has plenty of gorgeous lines. However, what I did not expect is to find myself wondering whether I would put KNP’s “City Streets, Holiday Road,” or the flip side to this track, the version of the song that ends the record, sung by Saul McCartney (aka the incredible Harlan Guthrie). This 60’s pop-crooner version is so warm and delightful, as Saul sings in conversation with these perfect trumpet melodies, so damn gorgeous that I became incredibly conflicted. That first section of the song is so impeccably produced, I found myself amazed it was new, and hadn’t existed for decades; It just FEELS like it should have. KNP has cracked the code for creating a lovable, believable fictional singer/band within another piece of art, a feat hard to explain other than by pointing to other successes like The Oneders in “That Thing You Do,” or Stillwater in “Almost Famous.” There is a quality to this character that makes you want to know more. Truly incredible.

Bottom Line: I feel some magic here… I hear the bells once again. Thanks Kristian.

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Aux Caroling – New Carols for the New Canon (2023)

Self Released
Buy: Bandcamp

How is it that folks put out these weird, fun little Christmas projects… and don’t find my fun, weird little Christmas website? Who knows… maybe Aux Caroling (aka Scott Deaver) has been caught in the spam filter, both literally and the malfunctioning one that is my attention span. Harking (the seasonal form of hailing, obvs) from North Carolina, Aux Caroling has released a whole mess of Christmas tunes in the past two years, a full album last year (Holly, Jolly, Melancholy), and an odd, wonderful EP this year. The EP starts off with “Bulls vs. Lakers, Christmas 2011,” a song largely about a basketball game. It puts you in his living room… talking about Derrick Rose, eating leftover pizza, calling his brother. But there are lines that hint at something deeper than just watching a game, “The future it holds, what nobody knows, then a floater from Rose.” That is some kind of beautiful in a way I wasn’t expecting.

The second track, the hilariously-titled, “Michael Clayton is a Christmas Movie, 2021-Present,” appears to be a response track to his 2022 song, “Is Michael Clayton a Christmas Move?” – which I’m just smiling about as a whole concept for a song. Perhaps Christmas a Go Go will need a Michael Clayton theme post sometime soon!

The final song, “Playstation 2, Christmas Early 2000s,” is using the gift of a Playstation 2 as a way to talk about a relationship with these incredibly clever lines like, “Memories on our memory card ranged not great to barely good.” Once more, I find myself feeling like I’m listening to an Elliott Smith alternate-timeline Christmas record… and I pop on to Aux Caroling’s Instagram and see a post of a hand clutching 3 copies of Elliott’s self titled record. So, while I may have suggested in an earlier post about being crazy… It appears I might have some sense left.

Bottom Line: These short, clever songs are deceptively impressive.

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Vom Vorton “One Turkey Sandwich” (2023)

Self Released
Buy: Bandcamp (NYOP)

In response to the excellent song posted over on Christmas A Gogo today (Pen Pin’s “Office Party”), I have decided to hip you all to another excellent office party-themed Christmas song! What can I say, I want to join the party and the peer pressure is intense… The A-side to Vom Vorton’s new Christmas single (also the titular track) is the excellent “One Turkey Sandwich,” which follows the narrator’s bad decision-making at an office Christmas party. He begins by being quite sensible, as he has just started working there. Well, the night goes on and the drinking increases, and some poor decisions are made… though it doesn’t get too unbelievable to not be relatable. Simply a clever, very well executed song that I thoroughly enjoyed.

Bottom Line: Well that was a rather quick and sensible review. It’s early, and I don’t want to make a scene. Great song! Mixworthy!

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