Tag: Sweden

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Art Acoustic “X-Mas in the Woods” (2010)

Self Released
Buy: Soundcloud (FREE!)

As we all stumble through the darkest timeline, I find myself reaching for comfort food. If you’ve been reading this blog over the past thirteen years, you probably know that my north star is Swedish indiepop. So hold my hand, and let’s travel back to 2010. We’ll listen to this perfect three-minute specimen that represents everything I love about Swedish indiepop: lyrics that mix melancholy with sweetness, paired with upbeat electro-indiepop-disco—absolute perfection.

Art Acoustic may have disappeared from the searchable internet in 2013, but “X-Mas in the Woods” has remained on my playlist ever since I first pressed play. That was another time. It feels like we’re a million miles away from it now.

Hope you enjoy, and welcome to 2025. We are all in this thing together.

Bottom Line: Swedish pop perfection from a long-lost project. Art Acoustic – should you ever find this, drop me a line.

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Amason “Santa’s Coming to Free Them” (2020)

Amasonason AB
Buy: Apple Music | Amazon MP3 | Amazon.de MP3

Sometimes I dig up wonderful songs, but they only fit within one specific year. Maybe they namecheck a year, a certain former (lord help us, keep him former please) guy, or a global pandemic. These songs are often quite visceral, filled with vibrating emotions… written with a sense of immediacy, and propelled by a world beyond our control. “Santa’s Coming to Free Them” feels a lot like those kinds of songs… but because the song dwells on the experience of children living through war, it avoids the confines of one year and one conflict. One might bestow on this song an evergreen status that also condemns humanity. I normally try to be a bit fun on this site… whoops!

Amason is a Swedish indiepop/rock supergroup of sorts, whose lineage I will defer to Wikipedia‘s expertise: Amanda Bergman (also known as Hajen, Jaw Lesson, and Idiot Wind); guitarist, keyboardist, and vocalist Gustav Ejstes (from Dungen); keyboardist Pontus Winnberg (from Miike Snow and Bloodshy & Avant); drummer Nils Törnqvist (from Little Majorette); and bassist Petter Winnberg (from Little Majorette). They’ve been releasing music since 2015, and in 2020 dropped this punch-in-the-stomach Christmas single. I feel quite uncomfortable talking about how impressed I am with the vocal delivery on a song you wish never needed to be written, but I will take a brief stab at it. I was terribly impressed with Amanda Bergman’s control and her ability to convey emotion. Her delivery is incredibly intimate–more like a desperate prayer than a pop song. That’s about all I can do – the song is very well done, and it breaks my heart that it exists.

How about we just stop bombing the shit out of each other so we don’t get any more songs like this.

EDIT: Amason also recorded a version of Ave Maria in 2019. Check it out if you feel so inclined!

Bottom Line: If you are the type who likes to craft a challenging Christmas mix… grab this one and Stars’ “Christmas Song” and leave them in tears.

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Karakou “Tyst faller snön” (2013/2023)

Ninetone
Buy: Apple Music | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3

Sweden’s Karakou came into my life last night, and I’ve been doing my best to get to know them better in the past few hours. A hefty bit of Google translate and this particularly good interview from 2019 have given me a glimpse into this excellent band’s world. This world happens to include a Christmas-adjacet song, “Tyst faller snön (Silently the Snow Falls)” which was originally released, unmixed and from their archive in 2013, then again in 2018, finally being lovingly re-mixed with four new versions here in 2023. The song is quite melancholy, as you could likley discern just from the vibe with no knowledge of the lyrics. However, for convenience’s sake, here are the lyrics, run through Google Translate:

We follow things we know nothing about
And you act like those who see no way out
Oh quietly, the snow falls outside our rooms

Silently the snow falls, so we fall
Like a dream

We talk about how everything actually goes
And say sorry before we hang up
Oh quietly the snow falls
Outside our rooms

Silently the snow falls, so we fall, like a dream
We follow things we know nothing about
And how would we have known how everything would turn out?

The snow falls quietly
The snow falls quietly
Silently the snow falls, tearing up everything we hid
Oh quietly the snow falls, so we fall

Karakou’s initial intention was to release this song when Sweden was bathed in the orange glow of streetlights reflecting off the snow… and wow… just close your eyes and visualize that scene. Cinematic, beautiful, and somehow warm.

When I see the term “remix,” I’m never excited. Growing up, that meant that someone made a dance version of a song that shouldn’t be a club song. However, these four remixes aren’t trying to strongarm the song into something it is not. These versions essentially let you choose your own favorite flavor, which each having their own unique, delcious notes. I may be partial to the Frengen remix currently… or maybe the Einestad remix… Shoot… Please help me decide.

Bottom Line: I’d imagine some folks are going to be walking around singing Swedish this year while their friends and family curiously look on.

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Crying Day Care Choir “It’s Almost Time for a Christmas Tree” (2022)

Elz Productions
Buy: Apple Music | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3

Sweden’s Crying Day Care Choir are one of those bands that I’m always hoping will release more Christmas music. They have such an incredible back catalog of songs, which I have been happy to feature many, many times, and I encourage everyone to check out if you are unfamiliar with them. They have taken a few years off from writing seasonal songs, but thankfully return with the brand-spanking new “It’s Almost time for a Christmas Tree.” This song is quite unlike the others, as it is part of the same experimental songwriting project as their recent Give Me Something Vol. 1 EP. With both the EP and this song, Crying Day Care Choir used Damien Hirst’s “The Currency” project for writing inspiration. Hirst has created 10,000 paintings and offered them up for sale. Buyers have the choice of purchasing either the physical object or an NFT, and if they choose the NFT, the physical object is burned. CDCC has exclusively used the pieces slated for the pyre to draw inspiration from, and in a way, giving these objects destined for oblivion a new, eternal life. I’d love to know which panel of colorful dots inspired a Christmas song! The song’s verses are soft, sweet, and piano-driven, but that chorus is will get your blood flowing. “It’s almost time for a Christmas tree / If you’re bringing it home you’re all I need.” Those choruses sound like they were an absolute blast to record – there is a palpable joy to be heard here. How lucky we are to have ears!

Bottom Line: Crying Day Care Choir long ago secured their spot in my heart, and my heart continues to grow.

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Toad Venom – The Ingen vidare jul (Christmas is cancelled) EP (2021)

Welfare Sounds & Records
Buy: Bandcamp

If I had a nickel for every time I said, “You name your band Toad Venom, and I’m going to check you out.” Well, a bunch of psych rock musicians from Vikingstad, Sweden finally took me up on this well-known offer, and have also made some absolutely excellent psych Christmas music! 2021’s The Ingen vidare jul (Christmas is cancelled) EP is two tracks of badass psych, as the leadoff track “God Jul” blasts off, a soaring Swedish Christmas anthem (to which I have no clue what is being said). The flip, “Merry (Christmas) and me,” is in English, and very much suits their style as described on Bandcamp: “A band, experimenting the void between spaghetti western and psychedelic rock.” Those twangy western guitars that introduce the track – so terribly cool. The song builds and builds, at times triggering me to think a bit about Spiritualized for some reason. There are so many cool movements to this song, yet it still comes in at an economical 4:00. Perhaps one of the most badass Christmas tunes I’ve come across in a good while.

Bottom Line: Two extremely good tracks from my new favorite band and best friends (pending).

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Have Yourself a Merry Indie Christmas Vol. 1 & Vol. 2 (2022)

A Benefit for Crisis
Buy: Bandcamp

I often think about what it would be like to be just now getting into this hobby of underground Christmas music mix-making. When I got in the game (18 years ago!), there wasn’t quite the wealth of indie rock/pop/alt.country/etc Christmas releases to hunt down. Bandcamp, the venue which I primarily exploit to find cool new songs, wasn’t founded until 2007, and it wasn’t until 2010 that I could have even embedded a track on a site like Christmas Underground. It is both exhilarating and terrifying to think about dipping my toes in for the first time in 2022… there is just so much to listen to – years and years of great songs to get through, let alone all the new releases that come out every year. Well, lucky for my imaginary self, as well as that very real person taking their first stab at making a cool Christmas mix, fellow weirdo Christmas music fan Kevin McGrath has created the perfect introduction to this niche of holiday music with the massive, expansive collection of 108 songs, Have Yourself a Merry Indie Christmas Vol. 1 & Vol. 2. This is like one of those The Greatest ________ Album in the World collections I used to bump into in the import sections of the 2000s – packing an absolute ton of the tracks you need to hear to fully get what has been going on. The sheer effort that it took to clear 108 songs is astounding, let alone the challenges of contacting bands that are no longer together, and there are some wonderful ones represented here, to which I’m delighted their musical legacy will persist. Readers of this site will find some familiar faces and names, such as Sweet Tempest, St. Lenox, Charlie’s Hand Movements, The Ornaments, Les Bicyclettes de Belsize, and many, many more.

Just know you are bound to discover a new classic or two that you’ve never bumped into before. Christmas Underground is a one-person shop, and I can’t and won’t be able to know every single cool indie Christmas song out there… as I’m currently sitting here listening to Volume 1, bobbing my head to a song I’ve never heard – and I love it. All this great music also benefits a great cause, Crisis, a UK charity that helps the homeless. So, while the suggested price for each massive collection is a mere £7/$8.50, just know that you don’t necessarily have to give only $8.50. Maybe make yourself a sandwich each day this week for lunch and give a bit more? This is the season of giving, and in a world where billionaires aren’t going to save us, we need to look out for each other.

Bottom Line: These two releases could fashion 3-4 years of indie Christmas mixes for your friends and family. It is an absolutely essential purchase for new and old collectors alike.

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Nicky William – It’s the Most Wonderful Time of the Year (2021)

Icons Creating Evil Art (ICEA)
Buy: Bandcamp

There is something about Gothenberg that breeds oddly wonderful, crooning indiepop artists. Of course, there is Jens Lekman (a personal favorite)… and now there is Nicky William, certainly a future favorite of mine. I’ve been listening to Nicky’s new Christmas single for a little bit now (it was on Soundcloud earlier than Bandcamp), and it has most certainly grown on me. My initial reaction was, “Well, this is nice, but it is just another cover.” However, a few listens in, and there is just something about the marriage of this classic song, the simple instrumentation, and Nicky’s deep voice that I’ve really fallen for. I find it quite earnest and beautiful, oddly soothing in its nature. However, this pretty song may very well be a divisive Christmas Rorschach test (or what color was that dress test!), as his intention was quite interesting:

Talking about his new single, Nicky William says: ”We wanted to make a version of a classic but still add something new to it. In this song, we tried to add an uncertainty about whether the message in the song was ironic or not, hoping that the listener would have a different experience hearing the song, depending on how they feel about the holiday.”

There is also an “Alte Glühwein Version” (AKA Old Mulled Wine Version) that adds a touch here and there, such as the crackle at the beginning – either an old recording or a warm fire – you choose. Both are quite lovely… or are they quite sad? Just how jaded are my readers… we shall see.

Bottom Line: A beautiful little Christmas test, tailor-made for this Swedish indiepop loving blogger.

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Cecilia Ebba & Emma Miller – Winter EP (2019)

Emma Miller and Cecilia Ebba - Winter EP

Self Released
Buy: 7Digital MP3 | Apple Music | Amazon MP3 | Amazon.uk MP3 | Spotify (not in the U.S.)

If you did a quick survey of what I’ve been writing about lately, a lot of the music has been a bit critical, sad, profane, and perhaps a bit silly at times. Yeah, I do like that stuff, no doubt about it. Just hook me up and feed it to my veins directly.

But… as I do… I am also a sucker for music that feels wonderfully genuine. 2019’s Winter EP is exactly this – beautiful and genuine. Cecilia Ebba and Emma Miller are two extremely talented writers and vocalists, and they sound so good together that you could easily be mistaken for believing that they do this all the time! But no, London-based Swede Cecilia Ebba and Scotland-based Emma Miller have only collaborated on this one-off Christmas EP! The songs are thoughtful, loving, nostalgic, and fucking beautiful. The leadoff track, “Snowy Roads,” is simple in premise and brilliant in execution. The vocal lines make turns that you wouldn’t expect, but love, and then the chorus begins, and in come these beautiful strings. While I was already taken with the vocals in “Snowy Roads,” we haven’t even seen what these two voices can do together until the second track, “Apple Tree.” This lullaby to an apple tree is a fantastic premise to create a beautiful visual of a calm, snowy winter night, made only more spectacular by their interwoven voices. “December” sounds like a sister to “Snowy Roads,” with its spare piano bed and scaled-back harmonies (in comparison to “Apple Tree”). This one might get you, with its lyrics of lost love, but the holidays are gonna do that to you anyways, and it might as well sound this good. The finale (to me) is actually the next-to-last track, “Winter.” I don’t think there is an instrument on this track, it is all their beautiful layered vocals. This song has some of their best lines as well: “The aches and pains of yesterday unravel in the warmth. / So lay me down in winter snow / and watch it all melt away.” That is some truly gorgeous stuff.

So yeah, they also have a very nice version of “Silent Night” as well. Technically, that is the closer… but I’m here for the originals.

If there is justice in the world, this record will be released by a fantastic label on a beautiful 10″ record. I’ve added it to my vision board. Now it is up to you, universe.

Bottom Line: Front to back, this record is undeniably good. To have an EP with four original songs that are this strong… this record deserves both your attention and your money because you are going to want to listen to this for years to come.

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I am adding Soundcloud embeds so that they can be indexed by sites like the Hype Machine, but you really need to look up the entire EP on your preferred streaming/buying service. Remember, buying means WAY more than streaming, so go buy.

EDIT: This release appears to be disappearing everywhere… which sucks.

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Red Sleeping Beauty “The Swedish Winter” (2019)

Red Sleeping Beauty "The Swedish Winter" (2019)

Labrador Records/Matinée Recordings
Buy: Bandcamp | Matinée Recordings CD | iTunes  | Amazon.uk MP3 | Amazon.fr MP3

I am no stranger to stretching the definition of a Christmas song; I fully embrace a good winter song, the imagery of falling snow, the chill in the air, etc. However… this might be the most Van Damme I will get on this blog. Red Sleeping Beauty are the kind of Swedish synth-pop that I can get behind, as all their previous Christmas tunes have found a way onto these digital pages. (If you share members with my beloved Acid House Kings, you will get noticed by me.) So, I was excited to receive a DM from RSB a few weeks ago hipped me to a new single! “The Swedish Winter” certainly tackles the long, cold nights that those in the upper-regions of the northern hemisphere suffer through – but the celebration that bursts from the song is all about summer. This is definitively NOT a Christmas song. Yet somehow… I began to think that this song might be a good finale to a Christmas/winter mix. Christmas (and your mix) is over… so what else do you have to look forward to? Summer. “You lose your faith / and you lose your mind / the Swedish winter / The darkest times / and the darkest thoughts / the Swedish winter/ Then suddenly, a ray of light / to save your soul / Get ready cause here comes the summer / and everything feels right.”

Bottom Line: This is synth pop at its synthiest and popiest, and will most certainly satisfy fans of the genre.

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Annika Norlin “CORRESPONDENCE: Silent Night” (2018)

Razzia Records
Buy: Bandcamp | 7Digital (FLAC/MP3) | iTunes | Amazon MP3 | Amazon.uk MP3 | Amazon.de MP3 | Amazon.fr MP3

Jens Lekman and Annika Norlin (Hello Saferide) set off on their Correspondence project at the beginning of this year, writing each other letters though song in an alternating fashion. I don’t recall specifically hoping that there would be a Christmas song, but that hope is my default position. My default hope has been fulfilled, and I am ecstatic that one has emerged in this, the final month of the project. It is Annika Norlin’s turn for a song, and boy does she deliver a finale. “CORRESPONDENCE: Silent Night” has Annika musing on the the two composers of the original “Silent Night,” and how they must have felt to create it, then for those around them to experience it for that first time. What a brilliant approach for a song – I’m already in and I might not have heard a note yet. Annika’s simple guitar melody propels her delicate voice through a series of vignettes, from the birth of the song, to its first performance, finally culminating in the famous Christmas truce of 1914. And while there are powerful moments such as that truce, there are also some moments of levity, as she wonders if that first crowd might have thought: “Well I like the older stuff better 
/ They should do more upbeat tunes.” So terribly clever and moving in both approach and execution, this song has it all. Thanks to Jeremi for the tip!

Bottom Line: What a stunner.

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