Tag: 2025

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UPCOMING: Sunturns – Live at Parkteatret EP (12/1/2025)

a band standing on stage bathed in red light.

Fika Recordings
Buy: Bandcamp

Ok. How deep do I go in the bio of Sunturns, a classic indie Christmas band? Do I explain how this Voltron of Christmas combines forces nearly every year to bless us with a new track, a vinyl record, or a live show (which, unless I win the lottery and quit my job, I’ll never attend – Dec 12 this year for folks near Oslo)? Well, if you are new here, click this link and read up.

Now that everyone else is reading the old posts, we can finally talk. Sunturns have a new Live EP, Live at Parkteatret, coming out on December 1! You’ve got four tracks off last year’s Christmas III and one from the classic debut, Christmas. Short, but solid. I always love hearing from Sunturns, and this little live postcard from them is a welcome addition to my holiday. It sounds pretty great, too.

Bottom Line: It’s Sunturns! If you know and love them, add this one to the collection – you won’t regret it. If not – dive in!

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Elliot Maginot “Holy” (2025)

a dead on photo of Elliot Maginot's face, with Holy and his name written above it.

Audiogram
Buy: Bandcamp

There are some assumptions that one can simply assume. One of these assumptions is that I’m going to write about Elliot Maginot when he releases his yearly Christmas song. There is no mistaking a Maginot Christmas tune – it’s going to be lush, it’s going to be emotional, it’s going to feel both extremely present but of another time. Elliot’s 2025 release, “Holy,” is yet another wonderful addition to this top-tier Christmas talent. Elliot absolutely loves Christmas, as he notes in his introduction on Facebook: “This might not be THE Holy night, but HOLY, my new Christmas ditty is out at midnight. I keep writing these Christmas songs year after year, cause this shit really matters to me. Christmas doesn’t solve anything and it doesn’t miraculously make us better humans but it seems to be the only time of the year when are collectively giving a shot at kindness and togetherness so let’s take this shit seriously yah? Love you guys merry christmas”

That mix of hopefulness and reality Elliot expresses above, well, that is the essence of the song. This is best displayed as the song enters its last verse:

And I know you did not come here for a lesson
But sometimes I wonder if you’re even here at all
But come on don’t you know tis the season
The most wonderful season of all

I’m not waiting on no miracle
The bells will ring/the snow will fall
But It’s gotten talking about it
If you want a life you gotta live it now

I don’t believe no angels would ever come this way
But I don’t have an answer
Especially not today
No sacred book gonna sway me
I may be lost but I’m not crazy
Now I’m not quite sure what else to do
Well very merry christmas to you

Really great stuff, once again. Oddly, this is the first time I’ve ever listened to Elliot and felt a connection to Conor Oberst. Though “Holy’s” orchestration feels quite outside of Conor Oberst’s wheelhouse, there is a quality to their voices, an emotion that comes through, that I can’t believe I haven’t heard before…

Bottom Line: Another fantastic, unmistakably Elliot Maginot Christmas song.

LISTEN

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Klô Pelgag “Marie-Noël” (2025)

Secret City Records
Buy: Bandcamp | Apple Music | Amazon MP3 | Amazon.uk MP3 | Amazon.fr MP3

I’m apparently back in 2022, when I was in my “somehow writing exclusively about French-language Christmas songs” phase. To be stereotypically American, I don’t speak other languages, and French just sounds so damn nice to the ear. I suppose that’s why the one language I do have some experience with—German—doesn’t often appear here on Christmas Underground… it just doesn’t have the same musical quality. I know, I know… how obvious. Well, buckle up while I do my best to share a song and not embarrass myself once again.

I’ll check out pretty much anything on Secret City Records. When something new drops, I explore. Thus, I’ve found myself over the past year picking up all of Klô Pelgag’s (aka Chloé Pelletier-Gagnon’s) records, and I’m only about one away from having them allllll. Again, I largely have no clue what the heck she’s singing… but I absolutely love the music. And to make it even better—she has Christmas songs.

Looking at Klô Pelgag’s holiday catalogue, they all share one quality: a more spare, classic production, rather than the upbeat alt-pop found on many of her records. So while the vibe is more straightforward, the result is no less spectacular.

Klô Pelgag began her holiday releases with 2019’s “Toute seule pour Noël,” which I believe to be the only original she’s released so far (unless she has another hidden on a proper record). Should you wish to translate it, you’ll find it’s quite a sad song—as the title “All Alone for Christmas” suggests. Her voice begins accompanied only by piano, but then the cello slips in and the emotion builds. It’s beautiful if you can get over the sadness, and sad Christmas songs are largely what I peddle here at CU.

She added to her holiday catalogue again with a cover of “Le sentier de neige,” or “The Snowy Path,” once again using a sparse piano arrangement. Originally released in 1964 by Les Classels, this Christmas waltz is about a couple in love who shared a kiss on a snowy path in the woods. Getting mushy in the mush!

Her most recent holiday track is a beautiful cover of “Marie-Noël,” first released by Robert Charlebois in 1967. You may recognize this song from Elliot Maginot’s 2023′ cover, which I obviously also recommend. Judging by the sheer number of covers, it seems to be a true Québécois Christmas classic. Klô Pelgag continues her sparse, piano-driven approach here, once again singing with an emotion that transcends language barriers.

Bottom Line: I think we all can agree that Klô Pelgag should release an entire solo piano Christmas record… right?

LISTEN

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Ronnie Martin “The Sound of Snowflakes” (2025)

Velvet Blue Music
Buy: Bandcamp

Ronnie Martin has been releasing electropop Christmas music since 2021, all of it featuring truly excellent graphic design. I appreciate that greatly! I’ve been sampling his latest offering, Evergreen Melodie, and find myself compelled to take note of this fantastic song, “The Sound of Snowflakes,” and these New Order/Depeche Mode vibes it is giving me. This pulsating feeling of Christmas nostalgia is truly overwhelming. Turn it up and dance like an idiot.

Bottom Line: Wonderful electropopness!

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UPCOMING: Polish Club – Christmas Stinks! (2025)

Self Released
Buy: Vinyl | Apple Music? | 7Digital (FLAC/MP3)?

Sydney, Australia’s Polish Club put out one of the best — and hardest to get — Christmas 7-inch singles I’ve ever had the pleasure of writing about when they dropped the excellent Xmas Single back in 2017. That thing is amazing! I still don’t have one… Hell, they’ve even got a New Year’s release worth checking out — “Countdown” (which I should really write about) — which was so fantastic that it closed out my 2020 Christmas mix, Christmas Storytelling.

So… when they teased the cover art on their Facebook page the other day, I pretty much freaked out. I found the site, saw the vinyl, tried to buy one, got rejected by geolocation — and here I stand. Not quite sure what to do. But they did respond to my comments… in due time, I’m assured.

Christmas Stinks! is being debuted on Facebook, with a new cover posted each day for 20 days (they’re on day two as of this post), leading up to two shows on December 20 and 21. There was even a write-up in Rolling Stone Australia yesterday — not sure why they didn’t debut it here! This site is massive!

I did love one quote from Novak that really sums up what they’re doing:

“I used to be somewhat of an edge-lord holiday hater, but I’ve grown to really appreciate how the holiday period affords us a sleep-in, a big belly, and some genuine quality time with people you perhaps should spend more time with,” Novak admits. “I’ve also learned that if you’re sick of Christmas carols and holiday tunes, the best way to get over that is to record your own rock’n’roll versions and embrace the Christmas chaos.”

I’m game, folks. I’ll be listening — hoping that one of these covers makes it onto my next mix — and that I can figure out a way for myself (and everyone else outside of Australia) to exchange money for goods and services.

Bottom Line: I’m listening…

LISTEN

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Teen Mortgage “Below the Christmas Tree” (2025)

Roadrunner Records
Buy: Bandcamp (not there yet?) | 7Digital (MP3/FLAC) | Apple Music

Christmas Underground, as badass as I obviously am — I eat glass for breakfast — is not exactly overflowing with punk rock Christmas songs. I’m probably more likely to write about some twee band from Antwerp than a punk outfit from Washington, D.C.

Often, punk rock Christmas songs fall into the Blink-182 lane — and while I know that’s many folks’ jam, it just isn’t mine. I like punk rock that leans toward its cousin, garage rock — the kind with lo-fi production and fuzzy guitars, like Idaho Green or Stephan and Johnny.

Well, add a new name to that list, because this new song by Washington, D.C.’s Teen Mortgage is fucking fantastic. “Below the Christmas Tree” piles angular guitar riffs over a driving, fuzzy bassline — straight to the heart of this lowly Christmas blogger.

The music will hook you, but the lyrics will reel you in. A satirical anti-war song, it leaves you sitting in the simple decadence of a Christmas at the end of the world. World War III is upon us, and we’re moments away from destruction — so I got you a pair of turtle doves.

Well, open up your gifts now
Before they get turned into dust
Just forget all of those mushroom clouds
Becoming proper humongous.

Fucking hell. This song better remain satirical and not literal. I like the groove either way I guess…

Bottom Line: Absolutely stellar punk rock Christmas. If all punk rock songs were like this, I would run a punk rock Christmas music blog.

LISTEN

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UPCOMING: Slow Xmas 5 (2025)

Bone Sound Inc Worldwide/Blank Check Podcast/Mutant
Buy: Vinyl | Bandcamp

Coming soon to a Bandcamp feed near you… Slow Xmas 5. The lead single by Death Valley Girls, “Season of Dreaming,” has dropped and is making the rounds on the bigger (normal) blogs, such as Stereogum and Under the Radar. But what do you know… it is getting pressed on vinyl this year, 500 copies on ice blue wax. So, if very slow Christmas music is your jam, here you go!

From the website:

Available on vinyl for the first time as a Mutant exclusive featuring holiday standards and originals from Meridian Brothers, Shannon Lay, Zach Cooper of Grammy award winning King Garbage, Eric Slick of Dr. Dog, and Dave Hartley of The War on Drugs (Nightlands) among others.

Pressed on 140gm and iced out in a translucent ice blue variant (Limited to 500 copies). Offered in 45 RPM so you have the option to play regular slow or EXTRA SLOW at 33 1/3 RPM!!

And for the analog hogs, the majority of the album artwork is practical with an original sculpture by Matthew Rosenquist and studio photography by Robin Takami.

Bottom Line: Got me – only heard one track so far! Frankly, I’m usually grasping for songs to speed up my mix…

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Sharon Van Etten and The Attachment Theory “2000 Miles” (2025)

Sony Masterworks/Mutant
Buy: 7Digital (MP3/FLAC) | Apple Music | Amazon MP3 | CD/Vinyl | Amazon (CD/Vinyl/Exclusive Vinyl)

I love Sharon Van Etten. I saw her with her new band, Sharon Van Etten & The Attachment Theory about a month ago, and it was absolutely incredible. I was a huge fan, and am now a massive fan. I’ll be excited to hear from her with anything she does. Thus, she dropped a cover of The Pretenders’ “2000 Miles” for the Oh. What. Fun. soundtrack, and I was pumped. I’m going to float down from my initial heights though. This is a good cover, though it does not reinvent the song. Would I have preferred something a bit more interesting than adding the shimmering synths to the arrangement? Yes. But I do love her voice, and I’m sure some of you are going to be all over this.

There are some heavy hitters on this soundtrack. Interestingly, Sharon appears to be the first single off it (Gwen Stefani was first – exclusive to Amazon), surprising when you’ve got this lineup:

1. Shake the Snow Globe – Gwen Stefani (2:53)
2. The Things We Do for Love – The Bird and the Bee (3:20)
3. Have Yourself a Merry Little Christmas – St. Vincent (2:33)
4. 2000 Miles – Sharon Van Etten & The Attachement Theory (3:09)
5. Angel in the Snow – Fleet Foxes (2:44)
6. Step Into Christmas – Uwade (3:35)
7. Silent Night – The Wang Family (1:00)
8. Hot Cocoa – Gwen Stefani (3:38)
9. Snowqueen of Texas – Weyes Blood (3:21)
10. Christmas Eve Can Kill You – Andy Shauf & Madi Diaz (3:18)
11. It’s My Life – The Bird and the Bee (3:43)
12. Christmas Must Be Tonight – Jeff Tweedy (3:27)
13. Dance of the Sugar Plum Fairy – Lorely Rodriguez (Empress Of) (1:39)
14. I Heard the Bells on Christmas Day – The Wang Family (1:01)
15. The 12 Days of Christmas – Dominic Sessa (1:36)

Of note – Michael Showalter, whom I have loved since The State, is the director! I’m genuinely excited for this movie…

Bottom Line: Sharon Van Etten is pretty flawless. Also – she could pretty much play Chrissie Hynde in a biopic. Just sayin’…

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Exnovios “Ya Es Navidad” (2025)

Munster Records
Buy: Bandcamp | Vinyl (in the US)

We live in incredible times, as I continue to find Artificial Intelligence more amazing and terrifying as each day passes. I’m desperately trying to avoid ever featuring an AI Christmas song here – but I fear it is just a matter of time. Why the hell am I talking about AI?? Well, because I find myself cherishing folks whom I’ve come to know and love. You see… I know they are human… and I love their music. A wonderful example is Pamplona’s Exnovios, and while they may not have released a Christmas song before (to my knowledge! – THERE IS ANOTHER!), one of their members, Tamu, has released several songs which I have had the pleasure of writing about here on Christmas Underground. So, when Exnovios drops a new record, and I get that Bandcamp email, I’m checking that shit out. They dropped their latest album, Fin, a little over a week ago, and I immediately clocked that tenth track, “Ya Es Navidad” (It’s Christmas!). I know this wasn’t a present specifically for me, but it certainly felt like one. Two chords gently rock back and forth through a song that is so fucking hopeful that you’re going to think you’re in an alternate reality. Who saw that one coming? Everything is so fucked, I was expecting a deluge of grim Christmas tunes.

I needed this song.

Remember me talking about AI? Well, I stripped the vocals, got a transcription, then a translation… all with AI… in about 5 minutes. Wild. I’ve pasted it below, and please excuse the formatting. In addition, if you are either 1) in Exnovios, or 2) fluent in Spanish, please excuse any translation mistakes. I took German in high school… and I can’t vouch for these robots. (EDIT – the robot made some mistakes, and my friend over at Popcasting fixed it!)

Year after year, it happens again, lights and the cold fill my city. I make promises, I ask for peace, and all my dreams will come true. They will come true, they will come true. Another year is here, yet none of my dreams came true, But you’re heare, and nothing can go wrong. The good stuff is yet to come, so much to do, so much to achieve. It’s Christmas already, it’s Christmas already. One year is over and a new one begins. It’s Christmas already. Ha. It’s Christmas.

Bottom Line: One of my favorites of the season so far, from some of my favorite people to boot. Go buy their record, Fin, as I am currently listening to it.. and wow this thing is great.

LISTEN

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HBM Presents: Sleigh the Holidays, Volume 2 (2025)

A cartoon of a woman in a mrs claus outfit laying down with "Sleigh the Holidays" in script above her.

Head Bitch Music
Buy: Bandcamp | Apple Music | Spotify

If you’re a casual reader of my blog, you probably have a sense of what my values are. I’ll admit that some topics have more gray areas than others, and I can entertain good-faith arguments from folks on many issues. However, when it comes to racism, sexism, or homophobia, I don’t have time for it. There’s a basic human decency that should be the bare minimum—our shared humanity. The pendulum has been swinging the wrong way on this most fundamental principle, so when I see something that pushes back, I’m going to give it a listen.

Head Bitch Music, a full-service music production house based in LA, dropped HBM Presents: Sleight the Holidays, Volume 2 today, partnering with Jack Antonoff’s charity, The Ally Coalition, to raise funds for LGBTQIA+ youth by supporting organizations dedicated to improving their lives. The record is full of excellently produced, modern pop Christmas songs. There are classic covers (e.woolf’s “A Marshmallow World”), modern covers (Niki DeMar & Julianne Hope covering girl in red’s “Two Queens in a King Sized Bed”), a solid number of originals, and even something in between a cover and an original (Olivia Reid’s “Singing in the Snow”).

There’s a lot here to check out. The record does skew quite pop—very well-done pop, the kind you could easily hear out and about this Christmas season—but pop isn’t the language I’m best suited for. Still, I’m going to highlight two tracks for you to check out that I feel come closest to the Christmas Underground vibe.

The Blah Blah Blahs’ “retro glamwave” take on “Jingle Bells” had me thinking about The Waitresses ripping through this classic Thanksgiving (yes, THANKSGIVING) song. It’s not a tune I normally find particularly enjoyable, but they’ve infused it with a level of fun that should require a photo ID.


LA’s Skyler Cocco‘s “snowglobe” is an indiepop ode to a Los Angeles Christmas. Skyler is originally from NYC, so I can imagine the balmy LA Christmas making you feel out-of-sorts… and this song captures that beautifully.

Can we pretend we’re in a snowglobe?
Shake up this city Christmas Eve
Stick out your tongue
And taste the falling snow
Like silver glitter on the beach

This is on my mix shortlist now, as it is giving me strong girlhouse vibes, who released one of my absolute favorite Christmas tunes a few years ago (“Ugly Xmas Sweater Party“).

Bottom Line: Absolutely essential for those pop music Christmas fans, and even has a few treats for weirdos like me.

LISTEN