I will no doubt be talking more about this upcoming project as it unfolds, but just to wet your appetite, a repost below from their website, with handy hyperlinks to the featured bands. Thank you Robert for sending this my way, and best of luck with this AMAZING project.
In November, the four singles of the Snowflakes Christmas Singles Club, edition 2013, will be released.
All singles come in a full colour picture sleeve on white vinyl, limited to 500 copies. On the A-side, the singles will have an original, on the B-side a cover.
On the first single, London folk/blues duo Smoke Fairies, joined on violin by Neil Walsh, sing about how celebrating Christmas with friends and loved ones makes one feel at home in their ‘Simple Feeling’. On the flipside they do a haunting and beautiful rendition of ‘I Wonder As I Wander’, a Christmas carol written by singer John Jacob Niles, based on some lines of a folk song he once heard a little girl sing in a small village in Appalachian North Carolina.
Stockholm, Swedens’ indie poppers The Garlands have rearranged and rerecorded their ‘Christmas Song’, prevously released as a download only in 2008, for the second single. This Chrismas love song has the sound of the swinging 60s, with bells, piano, sweet harmonies and all. Their cover of ‘I Don’t Intend To Spend Christmas Without You’, written in 1967 by Margo Guyan for French actrice, singer and dancer Claudine Longet, is a perfect fit with their original song, has the same hip 60s vibe, but still with a indiepop bite.
The third single has chamber popband The Miserable Rich from Brighton with an uplifting original, ‘Everything You Want’, in which singer James is out to buy a Christmas present for this lover and finds himself – and the present – with friends in the pub at the end of the day. The Miserable Rich cover the antiwar protest song ‘Stop The Cavalry’, written and made into one of the most loved Christmas songs from the early 1980s by Jona Lewie.
Surf pop band The Silhouettes from Amsterdam are featured on the fourth single. The Silhouettes have written an very Christmas sounding song, about looking forward to sit with your lover ‘Under The Mistletoe’. They back it with a surf version of the Christmas standard ‘Have Yourself A Merry Little Christmas’, written by Hugh Martin and Ralph Blane and first sung by the legendary Judy Garland in the classic 1944 musical ‘Meet Me In St. Louis’.
Pre-orders going up later this month!
Check http://snowflakes-christmas-singles.blogspot.nl/ or http://www.facebook.com/Snowflakes.Christmas.Singles for updates!
Class Actress. Dan Deacon. Cloud Nothings. Three Christmas songs on a free record (from select indie stores last year) that had me on the edge of my seat.
Too bad I don’t like any of them. The Cloud Nothings track is purely instrumental… not something I normally look for with a Christmas tune, though if it were compelling enough, not something I’d rule out. The Dan Deacon tune samples animal noises… which makes it (in my estimation) unlistenable. The Class Actress cover of “Silent Night” is acceptable… but I just don’t like that song on a mix. If it ever makes the cut, it will be because someone did something truly unique with the song that makes me enjoy it.
The non-holiday songs are generally great. Shortest review ever.
Bottom Line: If you create a Christmas mix based strictly on the hipness of the band and not the song, this LP is for you. The following number score is holiday-song specific and does not reflect the generally excellent non-holiday tunes. 1.3/5
Buy: 7″ | iTunes
I originally heard Laura Marling perform this song on a Youtube video, a year before she released it officially (see below). Performing at the amazing folk collective Communion Christmas show, this glimpse into what would be her incredible second record left me in awe. It then popped up on the BBC in a live set about a month before the official single was released, and if you hunt that one down, you will not be disappointed. The official single is a one-sided 7″, and extremely limited. If you are a collector, you would do yourself a favor to hunt it down. The same version can be found on her sophomore release, I Speak Because I Can, as well as a live version on the 2-CD deluxe edition of Creature I Don’t Know and the Live from York Minster 2LP release.
I have to say… perhaps my #1 Christmas release wish, is for Communion to put out a nice live recording of one of these shows…
Bottom Line: A classic. 5/5
Buy: 7″ Vinyl | Saddle Creek MP3 | Amazon UK MP3
The Mynabirds‘ Christmas release, All I Want is Truth (for Christmas), is the perfect Christmas release. A Christmas protest song! A Zombies cover! The title track is lyrically interesting, musically engaging, and should be considered an indie-classic. The Zombies’ cover of “This Year will Be Our Year” sets the stage for future female voices (Memoryhouse) to cover this fantastic song.
For the collector out there, there are 200 on white vinyl, 300 on black vinyl.
I wish the Mynabirds would release a Christmas single every year.
Bottom Line: Both songs are FANTASTIC. 5/5
Buy: CD | 7″ | iTunes
I don’t have much time, so I grabbed a short one for this review. Happy New Year 2008 is out-of-print, and unavailable via Elefant, but still out there for purchase. Nothing really dates it 2008, so no worries about that.
Anyone familiar with the Elefant label will not be surprised by this indie pop groove. The School kicks it off with “Kiss You in the Snow,” which is a perfectly passable song. Light, happy and generally a good time. Coming in at 2:18, it is the perfect time – any longer and the saccharine sweetness might wear a bit… but they hit it well.
The second track by Helen Love is probably the one that you’ll come to with the highest expectations, if only for the title, “Joey Ramone Snowman.” Unfortunately, this is the worst song on the album. It sounds like a child is slightly autotuned… and the spoken-word-singing by a child is not only annoying, but ANNOYING. Sorry to be so brutal… but really. Its just not enjoyable.
Corazón contributes a song in spanish, which is quite appropriate for a spanish label. My Little Airport rounds out the disc with a song in Japanese, leaving only the twee-loving Swedes missing from this international celebration of the indie pop new year. With both tracks, the music is quite pleasant, but they don’t catch me as others have in the past. I don’t need to know what people are singing – if the music is engaging enough, that is all you really need. Not quite there.
Bottom Line: Cheap, but nothing truly amazing. The School track keeps this afloat. 2.6/5