Francis Lung is an alternative pop artist from Manchester, England, whose debut album, A Dream is U (still available on limited pink vinyl, amongst other formats), came out earlier this year on the always-excellent label Memphis Industries. Francis snuck a fantastic 3-song Christmas release by me last year (which I HAD planned to post a review of soon) titled A Francis Lung Xmas EP, but he was not so lucky this year! I’ve got you, Francis Lung! “To Make Angels in Snow” is a beautiful, perfectly timed (3:02- I love a short Christmas song), an alternative pop song that harkens back to the best of indie-Christmas legends Pas/Cal. The instrumentation is glorious – clarinet, tenor sax, flute, bass clarinet and a baritone sax line that brings up all my RIYL-Ezra Furman feelings of love. A breath of fresh air indeed.
Bottom Line: This song does not leave any room for boredom – the vocal harmonies and instrumentation paint every corner of the canvas. Francis Lung has outdone himself this year. Can’t wait for next year’s (hint, hint, Francis Lung).
Continuing from earlier in the month… when we all enjoyed an extremely short song about the end of Halloween… I bring you a beautiful and somewhat disturbing song that takes place around Christmas. Meskerem Meesi is a singer/songwriter from Gent, Belgium, with a beautiful, beautiful folk voice. I say folk voice, because she does not sing songs that stretch her capabilities, as you might find in pop music, but it does contain that one quality that is most necessary: personality. Meskerem’s voice has a warmth that soothes, even when she’s singing about eyes and dead flies. “Charlemagne” is a fun little folk tale about (IMO) an ex who is going to extreme lengths to get attention. Why did I add that IMO? Because I asked Meskerem, and she says that the song just wrote itself and was very open to my interpretation. So, don’t assume my opinion is the “right” one – take your own stab at finding meaning in this song. Thus is the subjective beauty of art.
(Post has been edited to reflect the name that Meskerem Mees now performs under. I’d imagine “Messi” was hard to get search results on!)
EDIT: The original version of Charlemagne is gone from Soundcloud, but she has released it officially on her 2022 EP, Caesar.
Bottom Line: Meskerem’s voice draws me in on this one. The song’s imagery is quite odd for something that might end up on a Christmas mix, but isn’t that kind of awesome? Can’t you just picture your friends pausing for a second, wondering if what they heard was correct, then just losing themselves in the chorus anyway? Yeah… I sure can.
There is no perfect release schedule when it comes to Christmas music. SO MUCH comes out in such a SMALL AMOUNT OF TIME, that no artist can be sure that their song will have the time to break through the flurry of competing songs. Last year’s fantastic track by Johnathan Rice and Courtney Marie Andrews is a prime example of this problem. Here we have two notable artists collaborating on a fantastic song, and I didn’t hear a peep about it until stumbling upon it a few months ago. The song tells the story of immigrants trying to make a better life, but instead, get caught up in Trump’s child jails. You know, the kind of track to put next to “Santa Baby” on your mix.
Johnathan gave some context to the writing of this song on his Facebook page last December. You would think that after a year passed, things would be looking better… but alas, this story could have been written yesterday:
This song is a story I wrote with Jason Boesel and Courtney Marie Andrews. It’s about a child and his mother trying to make it to the other side of the border. Reasons beyond their control intervene, and they don’t make it. This song is my way of calling attention to the current humanitarian crisis taking place at our border with Mexico. Like many of you, I was devastated by the images in the press of mothers being gassed, of little children in cages sleeping on foil blankets. Believe me – as bad as those images are – the worst is yet to come if we do not act immediately.
A few months ago I traveled down to the U.S.-Mexico border with a group of like-minded people to learn more about the situation, and hear about how to help. I started writing this song on the bus ride home. It was recorded in LA a few weeks ago.
Johnathan finished his post with a pitch to donate to Al Otro Lado, whose border rights program “hosts know-your-rights training and legal orientation workshops in migrant shelters in Tijuana, Mexico, and provides direct legal representation to detained asylum seekers in Southern California.” So, if you are so inclined, you can donate here.
Bottom Line: The story is moving and Johnathan and Courtney’s voices blend beautifully. Should you want to add a little bit of humanity to a normally sugary-sweet holiday mix, look no further than this song.
You might think my Christmas music hunt is scientific – that I have specific terms and techniques that I use. In some ways, you are right. There is most definitely a place for an educated search. However, there is also a place for just clicking and clicking and clicking, going down the rabbit hole to see where it might lead. This time, it somehow lead me to somewhere familiar, and I discovered Shadowlark. The voice behind this band is Ellen Smith, previously of the much more folky Ellen and the Escapades. I would often check back in and see what they were up to, as I loved Ellen and the Escapades (they have been featured on CU before!). Yet somehow, time passed and I had completely missed this new project, the synth-heavy Shadowlark. To my surprise, they even released a Christmas song last year, “Christmas Time.” I listened… and it sounded quite familiar. The song is a rework of one of the final released recordings of Ellen and the Escapades, expanded from its stripped-back original with some more production and additional lyrics. There are qualities to both versions that I really love, and I would leave it to you to decide which one you prefer. They even released a video with an acoustic version, which is also quite good. Three versions to parse, to compare, to enjoy.
Bottom Line: I could listen to Ellen Smith sing Christmas songs all day long. Her originals are exquisite, and her covers are gorgeous. Should anyone ever come across her version of “Silent Night,” please do share.
LISTEN
EDIT: Ellen also posted her iPhone demo. Listen below.
As you can see, I’ve begun the big push towards the Christmas season. I’m posting more now than I had been (even though I try to keep SOME new posts coming during the year), and I’m beginning to think deeply about this year’s mix. I always do my best to provide a link to purchase the song, because that is what I need to create my primary CD and MP3 versions of my mix. But it got me thinking… how many folks just create playlists? Should I be providing links to Spotify/Apple Music/etc? I’ve never experienced anyone just sending a playlist as their official Christmas mix, but I’m also middle-aged, so while I’m not unplugged from the kids, I’m obviously not a kid. Thus, out of curiosity, please take a look at the poll below and let me know your Christmas mix distro flavor(s).
Please leave comments! The poll is great, but I’d love to know more about how you distribute, what you’ve found that works or does not work, etc.
There isn’t much info about Moonfire Mountain beyond their short bio, which lets us know that the band contains Harry (from Bear Driver!), Cassie, Jon and Rich. Thankfully, this crew got together and covered Yoko’s “Listen, the Snow is Falling” with dreampop brevity, which I always appreciate. They also tackle “Christmas” by Florence Dore (which they mislabel as a Posies cover). Their instrumentation is what makes this song; I think I hear a theremin! The EP’s finisher is a rocking version of Big Star’s “Jesus Christ.” I particularly like the harmonies on the chorus, and the rough edges of the guitar work. All in all, three super-solid covers for less-covered songs. I sure wish that more folks would give up on Last Christmas, Christmas Time is Here, etc, etc, and branch out. Universe… make it so.
Bottom Line: One of these three, great Christmas covers just might scratch that Christmas-mix itch for you.
The latest single off of Stella Donnelly’s latest, Beware of Dogs, is one of those sneaky, semi-hidden holiday songs. I did not realize this track existed until Consequence of Sound posted the new video for “Season’s Greetings”… and this truly has me questioning my #xmasmusichuntingskillz. The song reminds us northerners that those in the southern hemisphere enjoy a summertime Christmas, something that Brutalligators highlighted last year with their wonderful “Christmas in July.” The song (and the video) present a summertime Australian Christmas picnic, and we get to sit back and watch it all fall apart. BONUS: Extra profanity for the profanity-starved.
Bottom Line: I think I busted my plugger I enjoyed this so much.
I really should have posted this on November 1. Frankly, I’ve had this song in my pocket for YEARS. I meant to write about it way back in 2015. That’s at least when I sent Steven Branstrom a note on Soundcloud, in the hopes that he’d give me a bit more info beyond the 3 tracks on his account. (Of note… there is an additional account under the same name, with this song, that was posted way back in 2011!). Enough background, little information as it provided, let’s get into the song. “Christmas” may very well be the shortest song that I’ve ever featured, clocking in at only 40 seconds. BUT, it is a very nice 40 seconds, and with slightly tongue-in-cheek lyrics coupled with a beautifully sincere delivery, transitioning us from Halloween to Christmas.
So let’s grab the spider webs and put away the skulls.
Clean up the fake blood that got splattered on the walls
Let’s put everything scary out of our sight
cause Santa’s coming baby in 54 nights.
Streaming-only… but there are ways, should you decide you need this little guy on your mix.
John Ralston, the frontman of Invisible Music, has previously been featured on this blog with his brilliant Jesus Christ/A Marigny Christmas 7″, as well as on my 2017 Christmas mix, Snow Man. Today, we round out his seasonal selections with the emotional “When the Lights,” from their 2012 self-titled album. This is an alt.country ballad about how the holidays can amplify how much you miss someone; a sentiment that, for most people, is quite relatable. The lyrics are quite beautiful:
When the lights start spinning / hold on tight, it’s just the beginning
I’ve been there before / my face on the floor / passed over and frozen in time / I loved you much more before you started to read me my rights
Christmas lights all shining / down on us with their good tidings / there’s a chill in the air / I forgot my coat there / on the hotel room chair by the door / I’m just not that sure that it’s possible to miss you much more
The song is simple, poignant, and relatable – super solid stuff. For you vinyl folks (like me!), you may be interested to know that you can pick up the entire record (limited to 300) for only $12. Even a miser a like Scrooge can’t complain about that price. (Hoping they might make it available as a single-track download, for now, it is part of the whole album. The record sounds great though!)
Bottom Line: John’s got a touch for these emotional Christmas songs. If you’re reading my blog, you likely appreciate that. Hope you enjoy.
TELL ME SOMETHING ABOUT THIS BAND! I mean come on! Searching, and searching, and searching. The label is nearly as mysterious as the band, but they at least have a Bandcamp! This little Christmas EP by the elusive The Turtlenecks is a damn pleasant trio of lo-fi indiepop holiday tunes. Catch me on the right day, and one of these simple, synthesizer-driven tunes might just sneak their way onto a mix of mine. From the chill repetition of “With Care,” to the pulsing “Snowblind,” or the boozy fun of “Christmas Bender,” pop on The Turtlenecks Do Christmas, chill out, and let these tunes soothe your DIY-jones.
Bottom Line: Three solid tracks by some band from somewhere, released on a label that might be from Louisville. Occam’s razor would suggest that it must, therefore, have been recorded by me, in my sleep, with no musical training. Enjoy!
I should have contacted them before writing this piece – but I’ll update it if they write me back 🙂
Christmas Underground 