The Ornaments – What A Merry Christmastime It Was 7″ (2014)

The Ornaments - What A Merry Christmastime It Was 7"

Folkmonger Records
Buy: Bandcamp

Hailing from the snowy cheese-fields (right? hehe) of Madison, Wisconsin, The Ornaments intend to be an annual Christmas music project that will “release one 7″ and play one show each December from now until the end of time.” Sounds promising! Comprised of Mike Behrends & Lance Owens, the Ornaments are the kind of Yuletide band I look for – nonreligious! I know, I know… but if you want religious Christmas music, look up… look down… you’re swimming in it already. These guys were just looking for a reason to get together, as I look to my Christmas mix as a means to keep in touch with those in my life. So far, so good. On to the songs.

The songwriting is certainly original. The A-side, “Santa’s Existential Crisis,” captures a conflicted Santa Claus who isn’t quite sure he wants to work anymore. He’s worn-out, he’s sick of all the stuff, and he really just needs to take a break. I dig the music too, perhaps more than the lyrics. Everything rests easily on the bed of Hammond organ and drums, with guitar and bell flourishes nicely sprinkled throughout. A very solid start.

The B-side, “Christmas Dinner,” does not go where you think it is going to go. The song is essentially about a glorious Christmas feast for a mother and her children… and what a bloody mauling it was. Ha! Great stuff – I’ll be on the lookout for 2015’s release, no doubt!

Bottom Line: Unique songwriting, great production and EXTREMELY limited (10 copies!), clear, square, 7″ lathe-cut vinyl. (4.4/5)

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Dog Legs – Holiday E.P. (2015)

Dog Legs - Holiday EP

Soft Power
Buy: Cassette | iTunes | Amazon.uk

Lo-fi indie fuzz pop. That’s my stab at explaining London/Brighton’s Dog Legs. They have an edge and a sense of humor that immediately grabbed me. April saw their latest release, Holiday E.P., and mixed into the shotgun silliness that is Dog Legs, were two songs that could be considered Christmas/holiday tunes. “Holiday” leads off the release, and this song, more-so than any other on the release, has a much more traditional lyrical structure. You know… verses, choruses, those things. Some of their songs, such as “Ice Cream Cone” are pretty much one sentence of fun. Its got a great sound – certainly a contender for my mix. The second prospect is the much sillier “Xmas Cookie.” Great music, fun, certainly silly – it all depends on what your mix needs. Too much heavy stuff? Lots of yearning for lost love and childhood? “Xmas Cookie” might snap you out of it.

Bottom Line: I really dig this whole release. I wish I could find a place where “Xmas Cookie” was also available, because it appears that iTunes/Google Play/Amazon.uk only have a 2-song single version with “Holiday.” Sorry that the cassette is gone too – with only 100 copies, it was not going to last long. Perhaps if a groundswell of interest amasses from my extremely influential underground Christmas music blog, they will repress. So, all four of you dedicated readers, contact Soft Power Records and beg. I will update the post if any additional options develop. 4.6/5

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Coal: A Winter Split (2015)

Coal: A Winter Split

Breadking Records
Buy: Bandcamp

Milwaukee’s Breadking Records first release is a 4-track, winter (and Christmas) themed E.P…. released this February! The lead-off track, “On A Quiet Winter Night” by Hello Death is a beautiful weaving of three voices, a cello, guitar and brandy. J.E. Sunde‘s “Rest in the Everlasting Arm” blends layered vocals, sparse notes and waves of electronic instrumentation; truly a break from the norm while remaining in the folk genre. Boom Forest‘s take on “The Holly & the Ivy,” is yet another excellent stab at a recent cover du jour. It’s quite atmospheric, as the instruments ring and seem to hang in the air. Christopher Porterfield bats cleanup on the E.P. with my favorite track on the release. Porterfield may be better-known as frontman of the Milwaukee-based folk band Field Report, but with this solo track, he leaves the genre behind to rock out a bit more. “Christmas Ghost” is a stone-cold lock for my 2015 mix. The driving beat, the shimmering keys, the booze… sign me up.

Look for this release to be released on cassette later on in the year, but for now, you can buy each single track on Bandcamp.

Bottom Line: Solid all the way through… this truly lives up to the label’s intent. 4.8/5 

“When I was growing up, every other Christmas or so, my mom would forget about a really awesome present and randomly find it some months later. It would always be one of the sickest gift and have a lot of thought and love. Please accept this release as a very late present on behalf of all of us at Breadking.”

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Little My – Little My’s Fourth (2007)

Little My's Fourth

Self Released
Buy: Bandcamp

There must be a significant (well, it’s all proportional!) readership who enjoy a good twee-Christmas tune, because I sure do write a good bit about indiepop. Thus, if you have an indiepop itch that needs a good scratch, Little My’s Fourth will do the trick. Cardiff’s Little My are up to their 11th release now, and have recently come back from five-year hiatus. Thus, their fourth release was a good while ago, yet somehow I haven’t come across it until now! The 2-song single leads off with an original, “Xmas Song,” which is chock-full of jingle bells, soft voices, and was that a recorder? It’s classic indiepop Christmas, pretty music with sad lyrics. “I’ll have a sad, sad christmas with a sad, sad look on my face / since you’ve gone away.” Thankfully the music keeps this song from entering dirge territory – so I think you could get away with having it on your mix without bringing everyone down.

The second song is a Shakin’ Stevens cover, the oft-(but not enough!) covered “Merry Christmas Everyone.” Their version is certainly a nice little indiepop version, but it did not jump out at me as the Kate Canaveral version from last year. Still, a solid tune, but more-so because I like the song, not necessarily how they tackled it.

Bottom Line: Little My have done up 2 solid indiepop Christmas tunes for a cool £1, or perhaps splurge a bit and get one of the 2 remaining CDs? Sure! Certainly good enough to hope that they do some more Christmas tunes in the future. 4/5

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Adult Books “When the Lights Go Out on Christmas Eve” (2012)

Adult Books Demo 2011

Self Released
Buy: Bandcamp

Los Angeles’ lo-fi trio Adult Books snuck a Christmas song onto their Demo 2011 release, “When the Lights Go Out on Christmas Eve,” and its a grower (for me, particularly). On first listen… I wasn’t hooked. It took me three listens, spread over a few weeks to get into this track. But you know what? Those kinds of songs often last for me. I really like the production, and if the EP title is to be believed, it’s only a demo. The simple instrumentation – the fuzzy vocals – it all creates a great atmosphere. I especially like the layered vocals at the end.

Of note – Adult Books also just put out a 7″ EP on Box Bedroom Rebels. BBR is one of my favorite labels of the past year, and their releases normally sell out extremely quickly. Fortunately for you, they still have some of the Adult Books EP, and it comes with lots of fun extras. Certainly check it out if you’re curious.

Bottom Line: A fantastic lo-fi Christmas tune. 4.4/5

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HomeMade X​-​Mess : Compilation 2013 (2013)

HomeMade X​-​Mess : Compilation : 2013

HomeMade Records
Buy: Bandcamp

This cassette (and download) release from 2013 somehow snuck by me. Its a small release with largely originals… exactly what I’m normally clawing through the internet to find.

“Wyoming County”, the Scott Rankie song that leads off the release is quite nice – sparse, with a solid, pained vocal. If this was an example of things to come, I would have been very pleased. However, like any Christmas compilation, this release ends up all over the board. The following track, Kevin Marlis’ “Saturday Slay” is a noisy, psych mess (though, in a good way), and I can’t quite hear the Christmas connection whatsoever. Other tracks are lo-fi indiepop (Songs by Thom’s “The Colours of Christmas”), 50’s pop-inspired profanity (“Jeffzilla’s “Christmas Song”), and what appears to be fuzzed-out karaoke (White Widow’s “When Santa Clause Gets Your Letter”), to name a few. It kept my interest, which I don’t say for a lot of Christmas comps… but I can’t say I really loved it.

Bottom Line: I found this comp to be unique, and at times, quite interesting. I have a feeling like some of you might find something else in these songs – that and the name-your-own-price on Bandcamp is encouraging. 3/5

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Cocktails “The Most Wonderful Time (For a Beer)” (2012)

Cocktails - The Most Wonderful Time (For a Beer)

Father/Daughter Records
Buy: Bandcamp

I apologize for the language; I’m apparently quite fond of profanity in 2015.

San Francisco’s Cocktails are the perfect follow-up to that Pupppy track – they are both on the same label, Father/Daughter Records, and they both recorded drunk Christmas tunes. Shit really appears to be hitting the fan – girl is gone, transmission is busted, life has kicked them in the nuts. “I don’t hear the children singing / I don’t hear the sleigh bells ringing / Its the most wonderful time / Its the most wonderful time / for a beer.” The contrast of the shit situation with the upbeat, happy chorus makes for a great, interesting song from what could easily have been a throwaway with a good title.

Of note, Cocktails also appear on the Bay Bridged 2014 Holiday Compilation, previously talked about on the always-influential Stubby’s House of Christmas. Check it out – its another great power-pop Christmas song for your earholes.

Bottom Line: Clocking in at 2:07, shotgun this beer onto your mix if you want to pick up the pace. Maybe see them live with Wild Nothing on May 22nd too! 4.5/5

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Legends of Country – It’s A Long Way Back From A Dream (2014)

The Legends of Country - Its' a Long Way Back from a Dream

Self Released
Buy: Bandcamp

This little gem has popped up last year on Stubby’s, and I really wish I had noticed the subject matter of the release earlier than I did (I’m on their e-mail list!!). The Legends of Country are the indie-pop/country hybrid brainchild of Jof Owen from The Boy Least Likely To. Jof’s voice can make any country song sound indie-pop, so no amount of twang can take the indie-pop heart out of these tunes. Both tracks feature seasonal fare: the title track “It’s a Long Way Back from a Dream” is a twangy tale that spins the story of Richie Burnett, world champion darts player, as he heads to defend his title on New Years Eve. The imagery is sad & beautiful, and when the trumpet enters the mix, the instrumentation engulfs you. It’s pretty spectacular.

While the A-side takes us on a New Years journey, the B-side brings us back home to Christmas. “From St. George to Snowflake” is another beautiful story-song that tells of a Christmas Eve car ride. The lyrics present a modest and beautiful tale of love and Christmas. Its not hard to place yourself directly inside the verses, and the warmth it exudes is palpable. Finally, there is a wonderful guitar line that shimmers throughout this song… and it gave me goosebumps. Lovely.

Bottom Line: The indie-Christmas pedigree could not be ignored, and astoundingly, the Legends of Country have exceeded my already high expectations with these two incredible tales. 5/5

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Superfuck Numero 2: Spécial Noël (2014)

Superfuxxxmas Songs

Superfuck Magazine
Buy: Superfuck Zine | Bandcamp

Hi Everyone. Missed me?

All hail Christmas Chaos for hipping me to this release. Superfuck magazine is a self-published zine from Paris, and their second issue is extra-special (in this guy’s eyes) Christmas edition. There is a CD-R attached, and it contains 16 seasonal tracks from French artists (I haven’t verified EVERY artist is French… but from my spot checks… highly likely). So many of these bands are so under-the-radar that I couldn’t even find a link for their site…
EDIT – Yes, they are all French artists – thanks Superfuck Magazine for the clarification!

There are some gems on here though – I’m a huge fan of “The Tree is Made” by Milk and Fruit Juice. It is a very solemn acoustic number, but when the electric guitar flourishes enter, the song shimmers.  Certainly a downer if you judge the lyrical content (death), but if you like that sort of thing, you will love this.

There are some upbeat songs on here too… for sure. “Silence in Your Mind” by Wonderflu is a great indie rock tune, and while I can’t quite make out the lyrics enough to hear the Christmas connection – I’ll take their word for it.

“The Gift” by Edam Edam has punk rock spirit, a speed, and a crassness that I appreciate. “Can I kiss your ass / Like its for Christmas?” Fuck yes.

(BTW, Sugar & Tiger‘s excellent “X-Mas Babe” is on this comp too)

There are also a bunch of great instrumental tracks, ranging from the criminally short chimes and claps of “Bruschetta” by Orouni, to the wonderfully glitchy “Some Girls Under to the Snow” by MUDD.

The final track, “Christmas Boogie” by Jaromil Sabor and Prêcheur Loup, is a ramshackle jam that perfectly rounds out a night of Christmas tunes – loose, pretty, with slightly jagged edges. This one could certainly make its way on to a mix.

Bottom Line: If you are looking for an obscure French Christmas comp to impress your friends with, look no further. 1 euro (or more!) gets you 16 tracks, and there are some solid tunes here. 4.3/5

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Jess and Frank Charlton “Give Me the Love” (2014)

Jess and Frank Charlton - Homemade Holiday Vol. 5

Self Released
Buy: Bandcamp

Los Angeles’ Jess and Frank Charlton are on their fifth volume of Christmas releases, and this one is pretty great. Granted, I’m only talking about one of the 2 songs, but that’s because I’m trying to cram in a couple posts while out of town at my inlaws. “Give Me the Love” is quite a nice pop Christmas song. It certainly doesn’t deserve the “comedy” tag they’ve given it. Jessica wrote this little song, a song of sweetness and simplicity. The production is pretty great for what I imagine to be a bedroom operation. Kudos, please keep it up!

Bottom Line: For two crazy kids who just love Christmas, you’ve outdone yourself. 3.9/5

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